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Sada Baby’s Old Tweets About Rape Resurface

Detroit rapper Sada Baby is at the height of his mainstream popularity, releasing the remix to “Whole Lotta Choppas” with Nicki Minaj last week. As fans eat up the viral song, some of his old tweets have started to resurface, which have halted his fifteen minutes of fame.

Twitter users have been digging up some extremely problematic tweets from Sada Baby’s account, some of which express a desire to commit rape. Others feature the rapper using homophobic slurs and wishing death on Beyoncé while she was pregnant.

“Smh being a F*g should be illegal,” wrote Sada in 2010. “I wanna slip #Oomf a roofie n rape her ass all night,” he said the following year. “I HATE DARK SKINNED PPL,” said another tweet. He would have been eighteen or nineteen at the time of the tweets being sent.

The 27-year-old artist has responded to his old tweets resurfacing, saying:

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“Y’all kan find every and any old tweet in the world from me. I don’t kare. I’m not even logged into my twitter and haven’t been for months.”

People are not pleased with his response to the scandal. They began digging through his page after he clapped back at a fan asking him to promote his new remix with Nicki Minaj, telling them: “S*ck my d*ck f****t ass fan page.”

What do you think of Sada’s old tweets?

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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