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Jada Pinkett Smith Turned Down Movie Role Over Tupac Feud, Says Larenz Tate

Tupac and Jada Pinkett Smith’s history dates back to their childhood. And even when they became stars in Hollywood, they remained close friends up until the rapper’s death. In fact, their relationship was so tight that it appears that Jada stood by ‘Pac’s side, even when it came down to business. In a recent interview with HipHollywood, Power star and legendary actor Larenz Tate said that Jada turned down a role in Dead Presidents because it was directed by the Hughes Brothers.

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“We’re on set in New Orleans talking about that experience,” Tate said. “I said, ‘I talked to the Hughes brothers and you were supposed to be in the movie.’ And she says ‘I was.’ She was like, ‘I couldn’t do it because, at the time, I was really close with Tupac and Tupac had this beef with the Hughes brothers.’”

Tate explained that he had already known she had the opportunity to take on the role of Delilah in the film. However, this conversation took place when they ended up together as co-stars on Girls Trip. He added that Jada already knew it might make things weird between the two if she had worked alongside the Hughes Brothers after ‘Pac’s beef with them.

“She had a good relationship with Tupac and she didn’t want to get in the middle of it. She thought if she had done that movie, it would’ve been a little weird,” he added.

Tupac’s beef with the Hughes Brothers has been revisited on plenty of occasions but in short, there was a rift between them on the set of Menace II Society which resulted in ‘Pac throwing hands.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

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Kieran James Honors Memory with “Part of the Grind”

Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.