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Mike Tyson Explains Why He Pressed Boosie Over Homophobia
With a big comeback fight on the horizon, Mike Tyson recently made headlines for another reason entirely: his diplomacy. The incident in question arose during an episode of Hotboxin’ With Mike Tyson, which featured Boosie Badazz as the guest of honor. In the opening moments, however, Mike decided to press the rapper over recent comments made about Dwyane Wade and Gabrielle Union’s transgender daughter Zaya, as well as his perceived disdain for homosexuals in general.
During an interview with TMZ, Mike Tyson opened up about his conversation with Boosie, revealing that it was actually his daughter who inspired him to raise the topic. Off the top, both Harvey Levin and Charles Latibeaudiere praised Tyson’s handling of the situation, noting that the boxing legend appeared to have actually gotten through to the no-holds-barred rapper.
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“You know, I was Boosie at one time,” begins Mike. “My daughter flew all the way from New York City to L.A. California where I’m at just to be there, cause she thought Boosie was so disrespectful she had to confront him. Could you imagine that? I said ‘who do you think you are, you can’t confront my guest!’ And she said, ‘you gotta talk to him, this brotha’s disrespectful to the community.’ So she came, and what they didn’t show, was she confronted him.”
“I was worried I would have to get angry, cause this is my baby,” continues Iron Mike. “But he conducted himself like a gentleman and it went okay. It didn’ go like I anticipated it to go. My daughter has a lot of courage and stuff.” After fielding further praise, Mike elaborates on what drove him to speak up. “I love Boosie, Boosie is beautiful as far as I’m concerned. It’s just that, he gotta win that fight over those demons. He has to win, he can’t give into them.”
Check out Mike Tyson’s reflection on his conversation with Boosie Badazz below. Considering the fallout Boosie received from his comments, it’s worth noting that he stood by what he said during the same conversation with Mike — even amidst the consequences. Do you think Mike Tyson’s words ultimately resonated with Boosie Badazz?
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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Kieran James Honors Memory with “Part of the Grind”
Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.
Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.
Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.
In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.
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