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Lil Nas X Slams Dave East For Homophobic Comments About His Nicki Minaj Costume

Lil Nas X stirred up a storm over the weekend after revealing his Halloween costume. After years of being a rumored Barb, he embraced his fandom for Nicki Minaj with an extremely detailed recreation of her “Superbass” outfit, down to the curves. Lil Nas X received praise for the outfit from many people while also facing some ridicule and backlash from people including 50 Cent. 

For some reason, Dave East chimed in on the matter a day too late. On Nov. 1st, Dave East took to Instagram where he shared a photo of Lil Nas X’s costume, writing, “And y’all was mad at me about this n***a.” In the following post, he simply wrote, “Bati mon bun up!” “Batty man” is  homophobic slur in Jamaican Patois. “I gotta move to Jamaica,” East added in a following post before dragging Popcaan into the mess he created. “@popcaanmusic on my wayyyyy chubble.”

Lil Nas X fired back at Dave East almost immediately. The “Old Town Road” rapper called out Dave East for not only being homophobic but for also “butchering” Patois.

“it’s “batty man” n***as can’t even be homophobic the proper way smh butchering the hell out of the patois,” Lil Nas X said in response.

No word from Dave East yet but this is surely not the first time Lil Nas X was forced to respond to the Harlem rapper. Following the meteoric success of “Old Town Road,” Dave East took to Instagram where he deemed the single, “wack.” 

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“I honestly have gotten this question so many times, it’s like, I have the No. 1 song in the country,” he explained. “I do not give a fuck about what Dave East is saying.”

Check out Lil Nas X’s response to Dave East below. 

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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