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Westside Boogie And OMB Bloodbath’s ’12 Days Of Bhristmas’ Video Puts A Ratchet Spin On A Holiday Classic

Sorry, there are no partridges or pear trees here. …

Sorry to all the holiday traditionalists out there, but I have some bad news for you: There are no partridges or pear trees in LVRN’s “12 Days Of Bhristmas” video. Instead, highlighted rappers Westside Boogie and OMB Bloodbath count their blessings the hood way, turning the yuletide carol into a ratchet holiday anthem. Just like the label’s previous video for “Feliz Navidad,” this one follows the artists as they record the reworked track in the festively decorated studio for the label’s holiday EP.

Among the gifts that the two rappers receive on the “12 Days Of Bhristmas” are brand new choppers, a trip to the club, an EBT card, a Glock, and a few homemade blunts from the leftover weed in the ashtray. Clearly, they’re not having the white Christmas Bing Crosby and The Drifters were looking forward to. In the video, the lights are even lowered and appropriately hued to take advantage of the theme.

LVRN and Shady Records artist Westside Boogie had a relatively quiet year. Aside from officially changing his name to Westside Boogie to clear up fan confusion about similarly-named artists, he made a couple of guest appearances, notably with Reason on “Trapped In” featuring Ab-Soul, Guapdad 4000 on “Hairless Horsemen,” and Courtney Bell on “Lion’s Den.” Meanwhile, rising Houston rapper OMB Bloodbath signed with LVRN, released a few singles including “Bolt” and “Dropout” with Maxo Kream, and did her best to avoid gang charges after being arrested in February.

Watch the “12 Days Of Bhristmas” video above.

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Artist Spotlight

The trapheaux gracefully glides over in new release “Marble Floors”

Trapheauxly

Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.

The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.

When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.

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NIHLNØTHING unleashes increased tides on new release “ocean” Power

NIHLNØTHING

NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.

A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.

Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.

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