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Eve Exits “The Talk” To Work On “Expanding” Family With Husband In London

Another host bites the dust on The Talk. It was recently announced that Marie Osmond wouldn’t be returning to the CBS show after only one season, and now Eve has shared that she’s bowing out, as well. The rapper-turned-talk show host has been apart of The Talk since 2017 and for four seasons, Eve has been a staple on the series. However, she recently shared that her time on The Talk has come to an end because she needs to spend more time with her husband, Maximillion Cooper, and their family in London. She also noted that she and Cooper are looking forward to “expanding their family.

“It’s been a crazy year, obviously for all of us,” said Eve. “And I’m so grateful that I’m able to stay here in London and do the show, but I can’t see for me, the foreseeable future of traveling back at the moment, and have decided that at the end of December, this will probably be my last time on the show, in this capacity as a host.”

Many cities globally are reentering another lockdown period as COVID-19 cases rise once again, and as London begins its next phase, Eve wants to be there with her family. “Staying home has been such a blessing because my husband and I got to know each other in a different way, a beautiful way,” she said. “So I want to be closer to him. I want to concentrate on expanding our family, being with my family.”

Eve praised her co-hosts and the time that they spent together, adding that she’s leaving on a positive note. “Sitting on stage with all you women has been the best thing ever. I truly love you.” Check out her emotional goodbye below.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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