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Doja Cat Insults Fans Complaining About Her Partying With Kendall Jenner
Back when the COVID-19 outbreak had just started getting serious in North America, Doja Cat told the world that she was not afraid of catching the virus.
“I’m gonna get a Corona cause I don’t give a fuck about Corona[virus], bitch. It’s a flu,” said Doja back in March.

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Apparently, after catching the virus in July, she still doesn’t care about the pandemic because, this weekend, she was spotted at Kendall Jenner’s massive Halloween party. Hundreds of people were in attendance, disregarding social distancing rules and pretending as though 230,000 Americans haven’t died from COVID-19 in the last eight months.
Doja Cat has faced a lot of criticism about her stance on the pandemic, including for her attendance at Kendall’s party and, this week, she decided to fight back (before deleting all of the evidence).
“Lol everyone’s mad at everybody,” wrote Doja on Twitter, referring to the backlash from the party. As fans began asking her to apologize for making light of the pandemic, something snapped in the rapper and she felt it was the right move to insult her fans.
“You can suck my fuckin rod if that’s what you meant to say,” she said to one person. “Shut the fuck up hag”, she said to another fan calling her out for attacking her supporters.
She went on to claim that she had taken four COVID-19 tests this week and that she doesn’t need to take accountability for partying.
“LMAO accountability for taking 4 different tests in one week?!?!?!!?!????” she responded to someone. “Bitch get the fuck outta here you fuckin nerd. Sorry that you’re too lazy to get fuckin tested slob.”
Wow… the tweets have been deleted but, you would think that someone with her platform would show respect to the people who have been struggling through this pandemic. Not everybody has been able to party like she has. Some live with immunosuppressed individuals. Others are being cautious to not infect family members and friends. But… go off?
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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