Music
Mike Will Made-It And Nicki Minaj Reunite On The Electric ‘What That Speed Bout?!’
Mike WIll released the track alongside the announcement of his new label deal with Atlantic and upcoming album ‘Michael.’ …
Mike Will Made-It and Nicki Minaj rarely miss and once again, they’ve reunited for “What That Speed Bout?!” the electric lead single to the Atlanta producer’s next album. Mike WIll released the track alongside the announcement of his new label deal with Atlantic Records and upcoming album Michael, due in 2021. The track features a typically high-energy beat with rapid-fire verses from Nicki Minaj and guest rapper Youngboy Never Broke Again. In the accompanying sci-fi video, the trio takes over a futuristic factory manufacturing androids with machines that 3D print Nicki’s head.
Mike Will Made-It’s last collab with Nicki was 2019’s “Runnin’” from the Creed II soundtrack, which also featured ASAP Mob members Ferg and Rocky. Mike also released the single “Kill ‘Em With Success” from that project, featuring Schoolboy Q, 2 Chainz, and Eearz. More recently, Mike’s been working with Swae Lee on the Tupelo rap-crooner’s next solo album, fielding over 733 demos from the high energy Rae Sremmurd member.
Nicki, meanwhile, has had a stellar year when it comes to collabs, securing her first-ever No. 1 after teaming up with Doja Cat on the “Say So” remix, went No. 1 again with the controversial Tekashi 69 song “Trollz,” and scored hits with ASAP Ferg (“Move Ya Hips“), Major Lazer (“Oh My Gawd“), and Sada Baby (“Whole Lotta Choppas“) — and potentially a surprise collaboration with erstwhile enemy Cardi B
Check out the lyrics and music video for “What That Bout?!” above.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
“Sing-Along Songs (Album Version)” finds new energy for Arn-Identified Flying Objects and Alien Friends
Arn-Identified Flying Objects And Alien Friends returns to “Sing-Along Songs (Album Version),” with an album version more consistent with the track’s original creative vision. The song came out in 2024 and featured an unusual mix of upbeat music and ironic lyrics that contextualized dark times.
This new version keeps that distinction but makes the arrangement a little spikier, punkier, and more playful. It blends indie pop and pop punk, fusing punk and power pop with a dash of folk rock. The more upbeat music works especially well against the darker outlook at the heart of the writing, creating a tension that keeps the track interesting rather than too serious.
The most obvious change is the intro, which now feels more in line with the original direction the song was meant to take. Co-producer David Myhr’s background vocals add some lift to the second and third choruses. Another key revision is the updated production.
The different parts of the track have more room to play off each other, with a stronger cohesive overall presentation and a more consistent, clear mix from beginning to end. “Sing-Along Songs (Album Version)” feels like a deliberate refinement, and Arn-Identified Flying Objects and Alien Friends take the new version and grind the song’s contrasting moods for a more polished, playful take on an already upbeat tune.
Artist Spotlight
TaniA Kyllikki creates a powerful message of equality through “HUMAN”
You might not think a Facebook post could turn into a song, but for TaniA Kyllikki, “HUMAN” is a creative process that turns a moment of frustration into a thoughtful musical statement. This house/techno track explores race, difference, judgment, equality, compassion, and the labels people put on each other. Its artistic direction leans toward empathy, humility, love, and the shared humanity beneath those differences, rather than division.
The song was inspired by Kyllikki’s reaction to the hostility she saw online toward people of different races, cultures, and backgrounds. Kyllikki and her husband, producer and multi-instrumentalist Rynellton (Garry D. Hairston), chose music to express compassion and provoke thought, rather than meet hostility with more of the same.
Kyllikki gives a personal songwriting perspective, and producer/multi-instrumentalist Rynellton helps to translate the original words into a techno-house setting. “HUMAN” strikes a cool creative balance, blending dance-oriented genres with a serious topic and letting its message fit into a modern electronic structure rather than a simple statement.
This song began as words on the net, became Kyllikki, and turned into lyrics that had to be set to music. “HUMAN” is a testimony to TaniA Kyllikki’s ability to take an unsettling observation and turn it into a creative expression of connection. That defining quality is the choice to respond to division with music, a release that is both a reflection of its origins and a continuation of the artist’s expressive path.
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