Music
Loyle Carner Reflects On His Growth From A Boy To A Man On The Madlib-Produced ‘Yesterday’
The South Londoner returns with his first track since his April 2019 album, ‘Not Waving, But Drowning.’ …
It’s been almost three years since Loyle Carner found mainstream success by the way of his 2017 debut album, Yesterday’s Gone. The album was critically acclaimed overseas, as it was named the album of the year by The Independent, nominated for the 2017 Mercury Prize, and helped him land additional nominations at that year’s Brit Awards. Nowadays, the South Londoner is sticking to the same script that brought him fame, one he presents once again on his new Madlib-produced single, “Yesterday.”
Carner released the track with a reflective video attached. The visual starts with Loyle reimagining his childhood by holding a baby in his arms that represents himself at a younger age. As the narrative continues, viewers see the rapper grow from a young boy to a grown man as the video ends with a full-circle moment with the man, played by his Carner’s younger brother, holding a baby of his own in his arms. He alluded to this moment in the video in a tweet that announced the visual’s release. “Everything comes full circle,” he says. “Shouts to Madlib and My little brother.”
The new song is Carner’s latest release since he shared his sophomore album Not Waving, But Drowning back in April 2019. The rapper gave fans a week to prepare for the new song after he posted a tweet that read, “F*ck it, new music next week. Who’s here?” He also shouted out producer Madlib after the release of “Yesterday” by quoting one of the song’s lyrics in a tweet saying, “LC AND MADLIB IT’S MADLOYLE.”
You can watch the video for “Yesterday” above.
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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