Music
21 Savage And Metro Boomin Pay Homage To King Von In Their Murky ‘Tonight Show’ Performance
Shouting out the late Chicago rapper, the ‘Savage Mode’ collaborators take the stage on an underground river. …
Ahead of their murky late-night performance of Savage Mode II standouts “Runnin’” and “Mr. Right Now,” 21 Savage and Metro Boomin paid homage to the late King Von, with 21 Savage saying, “The world lost a legend.” The performance itself took place on a dimly light stage set under a bridge or a pier (or soundstage cleverly dressed to look like the underside of one) surrounded by water with flashing LED strips fixed to the support pillars.
The performance was 21 Savage’s first on The Tonight Show since 2019 when he rapped his I Am > I Was hit “A Lot” complete with a new verse criticizing ICE just weeks before he was arrested and held in ICE detention for a long-expired visa. He had a tumultuous year after that as he fought against deportation; to date, no news has been released about his pending court date and in 2020, the coronavirus pandemic has backed up court proceedings seemingly indefinitely.
That didn’t stop Savage and Metro from reuniting for the sequel to their fan-favorite mixtape or keep Savage from making a fair number of appearances on other artists’ projects, including Lil Uzi Vert’s LUV Vs. The World 2, Summer Walker’s “Secret,” Gucci Mane’s So Icy Summer, Mulatto’s “Pull Up,” and T.I.’s The L.I.B.R.A.
Watch 21 Savage and Metro Boomin perform on The Tonight Show Starring Jimmy Fallon above.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
-
Artist Spotlight2 days agoC’batch turns an old guitar performance into a new story with “Our Little Pooh Pea (The Last Light) 4 – Cinematic”
-
Artist Spotlight5 days ago“NO MORE” by Amanda Holley connects healing, awakening, and survival
-
Artist Spotlight3 days agoSara Diana follows a wild spirit into the moonlight on latest release “Her Hair’s Like Fire”
-
Artist Spotlight5 days ago“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
-
Artist Spotlight5 days agoLisa Jo draws a line under the past with latest release “Done Druggin’ Away the Pain”
-
Artist Spotlight3 days agoTabi Harlowe captures the ache behind attraction with latest release “So Pretty (It Hurts)”
-
Artist Spotlight3 days agoDusty Edinger crackle tension into rock electricity with latest release “We Outshine”
-
Artist Spotlight5 days agoCrooner Ed captures a sweet romantic moment on “I Love This View”

