Music

Eminem Said ‘SNL’s Stan Parody Shocked Him By Being ‘Actually Really Good’

‘He said it so good that he sold every single thing.’ …

Since none of us can leave our houses and most entertainment events have been canceled due to the pandemic, SNL has been an even more important part of our cultural sanity than usual. The show recently pulled off a killer parody of Eminem’s iconic “Stan” — with Pete Davidson rapping his own take on the classic — and apparently, Marshall Mathers himself was quite impressed with it.

Although, at first he was unsure. In an interview with Zane Lowe he said that reading the rap on paper it was unclear how it would play out, but in the end, the sketch came off “actually really good.” “I remember they sent me the lyrics to it and I was reading them on paper and I was like, ‘Oh, I don’t know if this is going to be that good,’” he began. “And then the weight, when he said it, I was like, ‘Holy sh-t.’ He said it so good that he sold every single thing. You can’t… First of all, everybody’s raps look terrible on paper, right? Because you don’t necessarily know unless you’re a rapper yourself. You don’t necessarily know where… Even if you are, you don’t know where they’re going to hit the beat at, what pocket they’re going to choose. Yeah. And he was in a ill pocket. He was like, he was kind of going and he’d go a little faster and then he kind of slowed down so you could catch what he just said the first time you hear it. Yeah. His delivery was for sure really on point because it was not what I expected when I saw it. I was like, ‘Man, this is actually really good.’ The whole thing was great.”

Good enough that Em himself cameoed in the sketch at the very end. Check it out below if you need a refresher.

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Album Review

Kamila Csenge explores the unknown with a powerful debut album “Behind the Universe”

Some albums tell stories, while some invite you to experience a different worldview. And that is precisely what Kamila Csenge does on her debut album, “Behind the Universe.” A collection of 7 crafted tracks exploring what lies beyond fear, pain, and the limitations we so often put on ourselves. The album is an invitation to curiosity and reflection and growth, not to easy answers.

The journey begins with a reflective jazz fusion ballad, “The Void,” opening space for silence outside of simple ideas of right and wrong. Next track, “Against the Wall,” moves from there, with a stark look at the courage to overcome obstacles and make a difference. Then, “Music Forever” goes on with a sincere reflection about being true to yourself in a world that asks for attention and speed.

The emotional and imaginative range of the second half of the album goes even further. “Guardians of the Garden” is a peculiar universe, a universe of hope and light in the darkness. Next up is “The Metamorphosis,” which explores the silent yet powerful evolution of a human being, as growth usually begins with the loss of our former selves.

“This World” turns inside to the quiet wars many people fight each day with honesty and compassion. The album ends with “The Point of No Return,” a perfect song to end the album, accepting that the only way to go is just to go. Kamila Csenge’s debut album “Behind the Universe” is a record that prizes emotion, imagination, and resilience and is at once deeply personal and open to infinite interpretation.

Connect with Kamila Csenge on | Website | IG | FB | Spotify | TikTok |

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Artist Spotlight

Kai Moa delivers an electronic journey of loss and identity with “L = ∅”

One of the few electronic releases to communicate emotional collapse so intensely is “L = ∅” by Kai Moa. The track is a dramatic shift in weight and atmosphere, the second single from the artist’s forthcoming debut EP, which will be out by August 2026.

The production of “L = ∅” has a nice balance of mechanical force and emotional tension. The song is about the emotional fallout of losing a job and the meaning it held. Instead of a straightforward representation of grief, Kai Moa takes on the mindset of a character who is sliding into nihilism, rejecting ideas of work, security, relationships, and meaning itself. This is an artist who can take personal disappointment and make it into a meditation on identity.

“L = ∅” is an immersive listening experience that defies expectations. Kai Moa has a real talent for blending cinematic storytelling with a bold sound design. This release feels like it could make its way into the ears of underground electronic fans and those searching for substance in their music. Kai Moa is an artist who isn’t scared to jump headfirst into uncomfortable ideas with fearless production and ambitious creative vision, and the first track leads into the debut EP.

Connect with Kai Moa on | IG | Spotify |