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Eminem Says Snoop Dogg’s ‘Disrespectful’ Comments Sparked His ‘Zeus’ Diss

‘I think it was more about the tone he was using that caught me off-guard,’ Eminem explained in a recent Shade 45 appearance. …

Last month, Eminem shared a deluxe reissue of his 2020 album Music To Be Murdered By. One of its highlights was “Zeus,” which features multiple name-drops. One of them was a diss of Snoop Dogg. “Last thing I need is Snoop doggin’ me / Man, Dogg, you was like a damn god to me,” Eminem rapped. “Nah, not really / I had ‘dog’ backwards.”

Back in July, Snoop told The Breakfast Club that Eminem was not in his top 10 greatest rappers of all-time, and in a recent Shade 45 appearance, Eminem said he accepted that. However, there was one comment from Snoop during that conversation that really rubbed him the wrong way.

“Everything he said, by the way, was fine, up to a point,” Eminem said. “Him saying Dre made the best version of me, absolutely, why would I have a problem with that? Would I be here without Dre? F*ck no, I wouldn’t. The rappers he mentioned from the ‘90s—KRS One, Big Daddy Kane, [Kool] G Rap—I’ve never said I could f*ck with them.” He added:

I think it was more about the tone he was using that caught me off-guard ‘cause I’m like, where is this coming from? I just saw you, what the f*ck? It threw me for a loop. I probably could’ve gotten past the whole tone and everything, but it was the last statement where he said, ‘Far as music I can live without, I can live without that sh*t.’ Now you’re being disrespectful. It just caught me off-guard

Afterwards, the Detroit rapper explained that he had no idea how he was going to respond to Snoop’s comments. “I didn’t know what to do about it because it confused me ‘cause I’m like, bro, same team,” he said. “We’re on the same team. And I have never in my career, my entire career, said a disrespectful word about Snoop.”

You can watch the full video above. His comments about Snoop being at the 29:45 mark.

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Artist Spotlight

“the wash” by SUUNCAAT turns an ordinary chore into a surreal journey through time

SUUNCAAT

SUUNCAAT’s new single “the wash” dives into new depths of one of life’s most common routines. The track turns the weekly chore of laundry into a surreal setting where time, identity, repetition, and the odd details of daily life start to bleed into each other. It’s a bright, complexly melodic song that makes you return to moments they might otherwise have skipped.

“the wash” is built on the dance of repetition and time. The routine might be the same week after week, but the person living it is constantly changing. That tension gives the single an interesting emotional depth. It’s a familiar act, returning to the same task, and it reminds us that time moves on, even when life can seem as though it has stopped.

The tune is complex enough to support its unconventional point of view musically. “the wash” isn’t simply about washing clothes, but a larger statement about mundane moments signaling a personal shift. The music is full of a sense of discovery that begs listeners to find their own meaning in the repetition.

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Adding a visual layer to SUUNCAAT’s investigation of the ordinary and the uncanny, Tokyo-based photographer Tiana Suzuki created the visuals and music video for the track, with Lew Husbands mastering. SUUNCAAT’s new single shows that even a weekly chore can be a way to learn about ourselves and how fast time goes by.

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Artist Spotlight

“Sing-Along Songs (Album Version)” finds new energy for Arn-Identified Flying Objects and Alien Friends

Arn-Identified Flying Objects and Alien Friends

Arn-Identified Flying Objects And Alien Friends returns to “Sing-Along Songs (Album Version),” with an album version more consistent with the track’s original creative vision. The song came out in 2024 and featured an unusual mix of upbeat music and ironic lyrics that contextualized dark times.

This new version keeps that distinction but makes the arrangement a little spikier, punkier, and more playful. It blends indie pop and pop punk, fusing punk and power pop with a dash of folk rock. The more upbeat music works especially well against the darker outlook at the heart of the writing, creating a tension that keeps the track interesting rather than too serious.

The most obvious change is the intro, which now feels more in line with the original direction the song was meant to take. Co-producer David Myhr’s background vocals add some lift to the second and third choruses. Another key revision is the updated production.

The different parts of the track have more room to play off each other, with a stronger cohesive overall presentation and a more consistent, clear mix from beginning to end. “Sing-Along Songs (Album Version)” feels like a deliberate refinement, and Arn-Identified Flying Objects and Alien Friends take the new version and grind the song’s contrasting moods for a more polished, playful take on an already upbeat tune.

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