Artist Spotlight
DanteWuzHere is Making His Mark In The Music Industry
We would like to introduce you to the immensely talented DanteWuzHere. He is an all-around powerhouse who has been making BIG waves in Atlanta and has been steadily gaining an industry buzz for his unique smooth flow and delivery.
Dante Suarez, professionally known as DanteWuzHere grew up in the music mecca of Atlanta, Georgia. Born in Bradenton, Florida on February 20th to an African American mother and a Cuban father Singer/Songwriter A chance meeting with industry veteran Debra Killings jump-started his love for the recording studio and writing songs. The turning point for the ambitious singer occurred, when his former manager took him to RCA Records resulting in a recording contract directly from RCA Records head Bob Jamieson and subsequently his debut album Inferno.
In 2018 he became a Juno Award Nominee with a song contribution (the single Disturbed) for Indigenous Pop Artist, Iskwé’s album, The Fight Within (Indigenous Music Album of the Year.) In June 2020 he signed with Al Gomes and his award-winning music firm Big Noise LLC. DanteWuzHere’s silky, soulful vocals are woven throughout his highly anticipated EP Paradiso led by his global plea, the gritty bass, and synth-driven single Heaven Help Us. Heaven Help Us is reminiscent of such songs as Marvin Gaye’s “What’s Going On,” John Lennon’s “Imagine” and Kanye West’s “Jesus Walks” in social and global awareness. The currently crazed world in which we live is the perfect inspiration for DanteWuzHere’s follow-up new single Follow Me.
The soothing transient track acts as a solid foundation for the subtly impactful melody and lyrics. The song successfully traverses multiple musical lanes. Written by Ryan Toby and produced by Jamie Helms, Follow Me harkens back to the days of Terence Trent D’Arby and proves that the past is sometimes the best way forward. ‘Follow me’ made it to the 63rd Grammy Ballots in the categories ‘Best R&B Performance’ and ‘Song of The Year’.
When not in the studio, DanteWuzHere can be found modeling and acting, appearing in major press such as Vibe Magazine, Obvious Magazine, Elevator Mag, The Source, Yahoo News and Billboard Magazine
DanteWuzHere has worked with major artists and producers such as Narada Michael Walden, Kanye West, Bryan Michael Cox, Organized Noize, Allstar, SInger-songwriter Joe, Nelly, Los Da Mystro, Trey Songz, and many more. He appeared alongside Nelly in the feature film Snipes in the principal role of Damon. Snipes also stars Sam Jones III, Zoe Saldana, and Dean Winters.
In June 2001 a young Dante was invited to the U.S. House of Representatives as a guest at the “An Artistic Discovery” Congressional Reception.
REACH OUT:
Official website – www.dantewuzhere.com
Follow on Instagram – www.instagram.com/dantewuzhere
Follow on Twitter – www.twitter.com/dantewuzhere
Follow on Facebook – www.facebook.com/iamdantewuzhere
Artist Spotlight
MIVA unveils a soft texture with an unexpected grit on latest release “Do You”
“Do You,” an alternative R&B track, evokes a compelling sense of motion, MIVA, one that finds itself comfortably between familiar textures and surprising production choices. The Montreal-based artist, producer, songwriter, and visual artist considers music part of a larger world where sound, fashion, and cinematic storytelling converge.
The production doesn’t want to stay still, not least through the saxophone, which gradually mutates into something like an electric guitar. It’s an odd detail that gives the arrangement an evolving character without detracting from its alternative R&B foundation. Vocal fry adds an unexpected metal influence to the track, adding some grit and tension below the softer textures.
MIVA allows different influences to coexist in the same space rather than being defined by a single, obvious musical direction. The result is a very identity-driven track, with a hypnotic rhythm, expressive vocals, and production choices that keep the listener on their toes throughout. “Do You” is a showcase of MIVA as an artist who is unafraid to explore the space between softness and intensity, offering an alternative R&B experience with its own character.
Artist Spotlight
With “A New Frame of Mind” EP, We Told You So finds strength in loss, friendship, and change
Growth comes with loss, hard realizations, changing relationships, and the uncomfortable process of learning how to keep going when life refuses to slow down. That tension is central to “A New Frame of Mind” by We Told You So, an EP that draws from personal experience and turns it into a larger story of resilience, friendship, grief, independence, and the courage to start over.
Opening the EP is the track “Anchor in the Storm,” a particularly important, very personal tribute, written during a period of loss. This song is about how important the people in our lives are for keeping us anchored when our world feels shaky. Followed by “Echoes of Resilience,” which takes that sense of connection and extends it from the struggles of one individual to the struggles of others. The perspective is the frustration of seeing pain from afar but choosing to cling to hope.
Meanwhile, “Last for Long” ups the energy, celebrating friendships that endure tough seasons and stay when circumstances change. “Running Out of Time” is a reminder of the band’s DIY, small-town indie roots and the realization that you have to chase your dreams before the chance is gone. Next up is “Season of Change,” which is more introspective, exploring family, aging, and the inevitability of change as we grow older.
The EP’s French-language track, “Pas Besoin de Toé,” further links the record to We Told You So’s roots in Trois-Rivières, Québec, and also speaks to independence and the decision to cut toxic influences out of your life. From there, “Time to Rise” embodies the project’s essence, from individual struggle to collective action and self-belief.
Closing the EP is “My Last Verse,” which works through its pain to clarity. At the end, We Told You So is making a record about choosing what happens next. It’s gritty when it needs to be, introspective when it wants to be, and optimistic without being naive. The EP is based on the idea that moving on is an act of strength in itself.
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