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Max Embers Returns With The Stunner “got to get you”

LA singer-songwriter Max Embers released his latest single and music video “got to get you” on June 4. Written only a few days after his previous single “wildest dreams,” the new track reflects a different facet of the same topics; an overarching theme of introspection and soul-searching. These two releases serve as the teasers to Embers’ upcoming EP idyllwild, which was entirely sparked during a solo writing retreat in Idyllwild, CA.

Embers’ enticing voice paired with lyrical melodies that refresh the listener’s ear create a song that is not only thought-provoking but also an easy, encouraging listen. The message of “got to get you” will always be undeniably relevant. Embers proudly admits that he isn’t close to finding himself – and he fully expects to continue his journey of self-exploration for many, many years to come. “I don’t want to be done exploring myself or life as a whole – until it’s all done!” The single will be paired with a music video to continue Embers’ visual representations of each song from the idyllwild EP. The video will feature the same diary style and themes as “wildest dreams,” but with a darker feel from nighttime footage. Fans can stream and watch “got to get you” on all major platforms.

Max Embers is an independent singer-songwriter based in Los Angeles, California. Born and raised in a small town in Germany, he won the internationally renowned music competition Jugend Musiziert shortly before graduating from High School. He went on to study at Berklee College of Music in Boston, one of the leading contemporary music institutions in the world, where he had the privilege of sharing the stage with multi-platinum selling artist Paula Cole and Emmy, Tony Award, and Grammy Lifetime Achievement Award recipient, Harry Belafonte. Since moving to Los Angeles, Max has worked with major label artists like Noah Cyrus, Felix Sandman, Joji, Matoma, Colton Dixon, and renowned writers such as Grammy Award-winning writers A-Rod Lambert and Anita McCloud.

In 2019, Max was a finalist on the premiere of NBC’s Songland, performing his original song “Back Home” for Emmy, Grammy, Oscar, and Tony Award winner John Legend and collaborating directly with three-time Grammy Award-winning producer Ryan Tedder with whom he co-wrote his single “Lookin’ Up”. In the same year, he partnered up with the British label Frtyfve and the Movember foundation to release two records as part of the ‘Mo Sounds’ initiative. Max’s original music has garnered more than 5 million streams and his debut EP idyllwild is scheduled for summer 2021. Besides working as a songwriter with artists like Swedish Melodienfestivalen star Felix Sandman and Grammy nominee Noah Cyrus, his latest cuts include DJ features with Niiko x Swae, Bhaskar, and Enkode, as well as the multi-language duet project “I Dare You” by American Idol winner and three-time Grammy recipient Kelly Clarkson featuring the German pop-group Glasperlenspiel.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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