Artist Spotlight
emoty Makes “History” With Bold New Hip-Pop Single
Denver-based hip-pop artist emoty (aka Tyler Dozier) released his second ever single “History” on June 25. Produced by Madilla (aka Cameron Sargent), the song is a self-reflection and observation of society as a whole – about bragging habits to impress other people, commonly dating partners. Upon first listen, the track seems like an encouragement to do whatever it takes to impress a crush, but it actually puts a mirror up to daters to question why it’s so normal to act this way. emoty has zero hesitation to begin his music career with a striking message.
For emoty, relationships are based on interests, passions, and the quirks that make people unique. He understands the need to prioritize someone’s true self over the money or things they have. Unfortunately, that belief isn’t alway reciprocated. “I hate the concept of flexing because I hate materialism,” says emoty. “I’m the type of person that will wear the same pair of shoes until I’m unable to wear them.” The Denver artist takes on a fresh sense of confidence in the single to portray the chase that goes along with pursuing love. Balancing the urges to confess his feelings and keep his guard up, emoty relates to listeners who have ever felt the need to put their best self forward on a date.
“History” is a perfect summertime jam – mixing the smooth, catchy musical elements of hip-hop and the melodic earworms from pop. Listeners can enjoy the song to simply let loose, or they can dive into the lyrical depths to digest the message behind them. In “History,” emoty touches on the urge to pursue the person he likes, but is unsure if they truly like him back. “I try to stay humble and self aware – I never want to break boundaries,” says emoty. The single was written alongside guitarist and songwriter Justin Scott Lucas who also wrote on Khalid’s Free Spirit album. “History” is a strong start for what fans can expect from Tyler emoty in 2021 and beyond, and it will be available for streaming everywhere June 25.
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Album Review
Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]
It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.
The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.
The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.
The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.
Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.
Album Review
Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]
Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.
The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.
“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.
It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.
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