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Artist Spotlight

Read British Hip Hop Recording Artist Spitter’s Interesting QnA Interview

Hey Spitter, Thanks for coming to Honk Magazine to talk about your music career. Can you tell us a story about what brought you to this specific career path?

If I’m honest I started out listening to rappers like 2pac, Biggie, and Busta Rhymes while I was in school and if it was break time my friends and I would get together and I’d rap a biggie lyric, and at some point, I thought why not create something of my own, and so I did and I’ve never stopped.

 

Can you share the most interesting story that happened to you since you started this career?

That would be when Tim Westwood invited me down to BBC 1Xtra to bless the airwaves and that happened by him coming across my MySpace by the profile which was back in 2008!

 

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Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that?

Omg, also back in 2008 I released my debut mixtape titled “ My Name is Spitter “ and I got a duplication company to make me 500 copies, remember these are the days streaming sites weren’t around, some not having a clue I went to pick them up thinking I could carry 500 CD-ROM all the way home, but the joke is I did but it killed me big time, but times have changed thank god.

 

What are some of the most interesting or exciting projects you are working on now?

I’m currently working on a Bass song produced by Ghoslly who is from Denver/Phoenix which I’m featuring on and it’s something I’ve never done before I’ve also never collaborated with anyone from that part of the USA but I’m really feeling the beat so look out for that!

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Who are some of the most interesting people you have interacted with? What was that like? Do you have any stories?

Tim Westwood has to be one of them, because he has been fully involved in music and also with a lot of talented musicians all over the world and he still manages to keep up with the time and stay relevant and Tim is such a cool person he makes you feel comfortable that you’d forget your chilling with famous DJ, so big up Westwood!!

 

Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?

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My first tip would be, try to have your song written and mastered before going to the studio especially if you pay for studio time because you’ll waste your time and money

The second tip is always to make sure you get enough rest because if your like me late nights and early mornings can wear you down so rest is a must!

The last tip makes sure you eat because you can’t perform on an empty stomach, you gotta eat to have the energy to perform at your best.

 

You have been blessed with success in a career path that can be challenging. Do you have any words of advice for others who may want to embark on this career path, but seem daunted by the prospect of failure?

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To be honest, I’d say master your craft inside out until you own it, never let anyone discourage you, and always believe in yourself otherwise if you don’t believe In yourself why should any else.

Can you share with our readers any self-care routines, practices, or treatments that you do to help your body, mind, or heart to thrive? Kindly share a story or an example for each.

I listen to a lot of music, mostly my genre Grime 24/7 and that is all I need.

 

What are your “5 things I wish someone told me when I first started” and why. Please share a story or example for each.

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I wish I was told the music industry was a cold place and I say this because if you are an upcoming artist and you don’t know anyone the chances of getting your song played on the radio is slim and that’s what it was like for me when I started but if you ignore it and keep pushing they will be the ones asking you to send them your songs!

 

Can you please give us your favorite  “Life Lesson Quote”? Can you share how that was relevant to you in your life?

I like to use the quote “ You’ll never know if you don’t try “  and that stands for everything, it’s better than saying “ What if i…”.

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None of us can achieve success without some help along the way. Is there a particular person who you are grateful towards who helped get you to where you are? Can you share a story about that?

I’m very grateful for my daughter, she gives me the drive and much more reason to take my career seriously, the day I became a dad my vision has never been so clear.

 

You are a person of enormous influence. If you could start a movement that would bring the most amount of good to the most amount of people, what would that be? You never know what your idea can trigger. 🙂

My movement would be called “ Good Hearted “ and we would only bring music,  good vibes, and smiles, peace, and love.

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We are very blessed that some of the biggest names in Business, VC funding, Sports, and Entertainment read this column. Is there a person in the world, or in the US with whom you would love to have a private breakfast or lunch, and why? He or she might see this. 🙂

Richard Branson, so I could ask him personally how has he achieved so much greatness in life.

 

How can our readers follow you online?

Instagram: @spitter__

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Twitter : @therealspitter

Facebook : @spitterspitstyle

Spotify : spitter

Artist Spotlight

DONELLI A.I. ENSEMBLE offers a jazz fusion and electronic atmosphere on “Previsioni del tempo incerto”

DONELLI A.I. ENSEMBLE

DONELLI A.I. ENSEMBLE unveils an 18-track album, “Weather Forecasts of Unknown Weather”, blending jazz fusion, world music, progressive rock, new age, and cinematic textures with sounds inspired by the 80s. The album is built on compositions made with keyboards, samplers, and DAW software, as well as collaborations with other musicians, which are then rearranged and reworked with the help of artificial intelligence. The process embeds technology directly into the creative fabric of the project.

The album opens with “Previsioni del tempo incerto”, which features trumpet and vocals with the rest of the ensemble, setting up the album’s blend of instrumental and vocal elements. “Villistas” is more dancey, with dreamy synths and layered compositions that create a lighter electronic atmosphere. The differences between these tracks show that the album is willing to move between genres rather than stay in a single fixed sonic category.

“Claudia” opens with a saxophone and the sweet presence of a jazz orchestra, adding a more traditional jazz colour to the album’s wider electronic and cinematic landscape. The quality of “Pigalle” continues to pull the listener in with its atmospheric approach and vocal effects. Together, these selections reveal the project’s oscillation between acoustic-inspired instrumental timbres and electronically shaped spaces.

The album closes with a softer track, “ninna nanna”, thanks to its gentle presence and composition. The positioning brings the stylistic range heard across the record to a peaceful close. “Previsioni del tempo incerto” is defined by its willingness to blend contrasting musical languages, jazz, world, prog rock, electronic production, cinematic atmosphere, and 80s-inspired textures into a single expansive project. That cross-genre approach, with AI-assisted reworkings as another element of the album’s evolving sound, is especially clear in the artistic direction of the DONELLI A.I. ENSEMBLE.

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Artist Spotlight

Mark Cee unveils an acoustic storytelling with a restless edge on New Album “Ghost Talk Show”

Mark Cee

Mark Cee, an ambient indie folk artist dedicated to the art of the human recording, releases a nine-track album titled “Ghost Talk Show.” A set of folk-rock and singer-songwriter songs built on acoustic textures, personal reflection, memory, and emotional movement. The album begins with a conversational feel that lets the themes play out in character-driven tunes and melodic playing. The result is an album that is simultaneously intimate acoustic writing and sporadic ventures into electric rock.

The album begins with “I Am Dreaming Of,” an acoustic-tinged song about the possibilities of who someone could be and the desire to have that potential recognized. The way it reflects establishes the mood for what follows, a mood of memories. “Drifting Back Again” is a look back at past behavior, dealing with the complicated feeling of looking back at experiences that weren’t necessarily good but still have an undeniable emotional pull.

“Thought I Saw You Yesterday” has that reflective feel all the way through, with acoustic guitar and catchy vocals making the tune memorable and easy to get into. There’s a darker metaphorical edge to the album in “Skeletons on Your Lawn,” which explores the idea of hidden truths that can’t stay hidden. “And Now The Rain Is Gone” later turns towards leaving the past behind, and “Wish You Were Coming Home” adds an especially emotional quality to the record.

The last track, “Don’t Buy Gas Station Gummies,” shakes up the instrumental palette with catchy electric rock guitar, providing an energetic finish to an album largely defined by acoustic sensibilities. The “Ghost Talk Show” shows Mark Cee’s artistic direction, which is based on storytelling and emotional observation. The album moves around memory, regret, longing, self-reflection, and forward motion but always keeps a recognizable folk-rock base. Other tracks on the album:

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And Now the Rain Is Gone (Instrumental)

Sweet Jenny.

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