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Top 20 Hit Tracks You Need To Hear (So Far) Vol.2

It is conspicuous how the past year has seen the music world really gravitate towards its most reliable stars, more than it has in recent years, leaning on them not just for one smash at a time, but sometimes as many as three or four simultaneously, while they keep finding new ways to breathe life into their most recent blockbuster LPs. They’ve been reassuring presences during this time of turmoil, but they’ve also made us particularly grateful for the newer breakout artists who’ve shown up to push them.

And as always, it’s not just about the hitmakers, either: While they remain the centrifugal force of the industry, it’s been a similarly fruitful time for new artists still in the process of finding their audience, with results that are thrilling even if they never lead to Top 40 ubiquity and contention for the Super Bowl halftime show. Here are our picks for the Top 20 Hit Tracks You Need To Hear (So Far) Vol.2 that you just can’t miss! We choose the most outstanding collection that you have to add to your Spotify playlist and others.

Top 20 Hit Tracks You Need To Hear (So Far) Vol.2

Kid Houdini – Super Cali

ST.V By AB – Highly Motivated Too

Tamband$ – Beach Chair

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Luke MacRoberts – Take Me for a Ride

TravNSD – Getting Started

Pasquale Gee – ONE

914Loeb – Outside

SWANNY.95 – TOTEM

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Nolai – In The Hills

Kelby x NODA – ALL NIGHT

L.E.D. – What It Looks Like

Telamor – Let’s Get Married

Pokerface – Undrafted

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Fi-Lo Faded – Rain Drops X Wasted Feelings

Paris Vendi – Marry-Magdalene

Karen Culi – Secrets

JayLukas – No Time

$cholah – Problems

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Daníel Hjálmtýsson – Back To Bed

Hella Yella – Project Pat

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Artist Spotlight

“Hell has frozen over” finds Sarina choosing peace over being understood

Sarina

Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.

“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.

Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.

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“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.

Photo Credit: Andrea Hunter

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Artist Spotlight

Girlhood finds summer warmth and quiet freedom on “Lemon Aid”

Girlhood

“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.

Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.

The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.

The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.

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