Artist Spotlight
Meet J. Manifest, a Multi-Talented Mogul, Businessman and Producer From Rocky Mount, NC
Jerard Wiggins, popularly known as J. Manifest, is a multi-talented mogul, businessman, and music producer who has left a strong impression on everyone who knows him. He is a music producer and audio engineer based in Raleigh, NC. Jerard Wiggins is working exceptionally hard to improve his craft and he wants to take his brand, “J. Manifest” to a new level in the music industry.
He started understanding music when he was first introduced to engineering, live sound, and the rap scene at the age of 13. And now the super-producer has mastered the art of engineering music, orchestrating live sounds, and has collaborated with some of the best voices for his creations with sound. J. Manifest’s greatest composition credits came in 2014 for his work on the Album “Mastermind” by Rick Ross, which peaked at number 1 on the Billboard Charts and was Grammy-nominated for Best Rap Album. “Drug Dealers Dream” is one of the fan favorites track on the project “Mastermind” and media outlets such as HipHopDX and All Hip Hop both mentioned his credentials for his work when they featured the album.
It’s no secret that a great producer can make or break a project and J. Manifest has a long list of credentials with highly notarized musicians. In the past, J. Manifest has worked with Wiz Khalifa, Beanie Sigel, Project Pat, Money Bagg Yo, and Yung L.A. His previous work with acts Elhae (“Stars”), Curren$y, T-Pain, Young Dolph, Colonel Loud, and MMG artist Scrilla’s “Gods Will” EP are also some of his best.
Most recently, J. Manifest reconnected with Grammy Award Winning singer, Anthony Hamilton, to collaborate with him on his tenth studio album, “Love is the New Black”. You will hear his sounds behind the tracks, “Pillows” and “Safe”, on the album, which peaked the Billboard Top 30 in just 3 weeks of its release. To conclude, J.Manifest is more than a super producer.
Stay connected with J. Manifest
https://www.instagram.com/jmanifestnc/
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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