Music
Former Death Row Records Female Rapper “SKG” and Team Performs at SXSW in Austin, Texas
Former Death Row Records – Female Rapper SKG and her team performs at SXSW in Austin, Texas. Promoting her new album “Unfinished Business”
Congratulations are in order for former Death Row Records Westcoast Female Rapper “SKG” ( Helecia Choyce )
Solidifying an official stage at “SXSW” with other female rappers including Atlanta’s own “Omeretta”
SKG also performed on other stages including DJ Holiday and Revolt TV “Hollipalooza”
Futuristic Femme Showcase and the SXSW Powerfest sharing the stage with other artist including Grody DaGrimy1, Tee Tee Zhane, Tumont and a few other artist from her management company “Purple Heart management”
Los Angeles-based female rapper, songwriter, and film producer Helecia Choyce, better known as SKG has started the year 2022 with something different. After receiving her plaques this month for previous work at the Legendary “Death Row Records” Now releasing a new project with a new album called “Unfinished Business” followed by her latest single “Bad Azz Bitch”, featuring Boosie BadAzz and Juvenile available on all digital streaming platforms, it’s safe to say fans are very happy about that. “Unfinished Business”, is a dedicated cover to her late brother “Trayveon Choyce” who introduced her to music at a young age.
Click the link now to preview the “SKG” full album “Unfinished Business” –
https://music.apple.com/us/album/unfinished-business/1606482394
Her album consists of 16 solid tracks with features from Boosie BadAzz, Paul Wall, Juvenile, Mistah F.A.B and Beenie Man, Mr. Capone-E, AD, Compton AV just to name a few. Her energetic, diverse, and raw sound give people something to relate to as her music and performing have shaped her into who she is today.
SKG has overcome many challenges in order to attain a reputed place in the music industry. She has worked exceptionally hard since she dived into the world of music at a young age and has attracted a lot of attention from many in the music industry. Being discovered by Suge Knight and signing a deal with Death Row Records at a young age. Featuring on Albums such as Tupac Shakur “Until The End Of Time” and The Doggpound Pound 2002. With years in the game and contributing new content be sure to stay on the lookout for SKG’s name as it is bound to be everywhere in the coming years.
photos by rsinclaireproductions: Sinclaire Hobson
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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