Music
Former Death Row Records Female Rapper “SKG” and Team Performs at SXSW in Austin, Texas
Former Death Row Records – Female Rapper SKG and her team performs at SXSW in Austin, Texas. Promoting her new album “Unfinished Business”
Congratulations are in order for former Death Row Records Westcoast Female Rapper “SKG” ( Helecia Choyce )
Solidifying an official stage at “SXSW” with other female rappers including Atlanta’s own “Omeretta”
SKG also performed on other stages including DJ Holiday and Revolt TV “Hollipalooza”
Futuristic Femme Showcase and the SXSW Powerfest sharing the stage with other artist including Grody DaGrimy1, Tee Tee Zhane, Tumont and a few other artist from her management company “Purple Heart management”
Los Angeles-based female rapper, songwriter, and film producer Helecia Choyce, better known as SKG has started the year 2022 with something different. After receiving her plaques this month for previous work at the Legendary “Death Row Records” Now releasing a new project with a new album called “Unfinished Business” followed by her latest single “Bad Azz Bitch”, featuring Boosie BadAzz and Juvenile available on all digital streaming platforms, it’s safe to say fans are very happy about that. “Unfinished Business”, is a dedicated cover to her late brother “Trayveon Choyce” who introduced her to music at a young age.

Click the link now to preview the “SKG” full album “Unfinished Business” –
https://music.apple.com/us/album/unfinished-business/1606482394
Her album consists of 16 solid tracks with features from Boosie BadAzz, Paul Wall, Juvenile, Mistah F.A.B and Beenie Man, Mr. Capone-E, AD, Compton AV just to name a few. Her energetic, diverse, and raw sound give people something to relate to as her music and performing have shaped her into who she is today.
SKG has overcome many challenges in order to attain a reputed place in the music industry. She has worked exceptionally hard since she dived into the world of music at a young age and has attracted a lot of attention from many in the music industry. Being discovered by Suge Knight and signing a deal with Death Row Records at a young age. Featuring on Albums such as Tupac Shakur “Until The End Of Time” and The Doggpound Pound 2002. With years in the game and contributing new content be sure to stay on the lookout for SKG’s name as it is bound to be everywhere in the coming years.
photos by rsinclaireproductions: Sinclaire Hobson
Artist Spotlight
Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.
The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
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