Artist Spotlight
Mieko Shimizu releases intense glitchy ‘Phenomena Of The Mind’ video New EP out now on Street Furniture Records
‘Phenomena of the Mind’ is a re-mastered EP of selected tracks from the album of the same name released by Mieko Shimizu in 2006, the year after the London terror attacks. Something dispirited and unexplainable lay heavy in the air of the sprawling city we lived and breathed. In the title song, ‘Phenomena of the Mind’, her intense Japanese rap echoes the deafening noise of the chaotic streets we walk each day. “Visualise”, she said, try to imagine a way to fight your way out of this ominous, dystopian world.
In the track ‘Signal Found’, the theme continues to shattered Dance Hall beats that reverberate to the “twisted sound of broken down London town.” “Have you lost the plot? Are you ok?” she asks?
In the track ‘Black Salt’, a dark melancholic theme floats over fragmented, glitchy beats, compounded by the repetition of “black” which hammers the constant bombardment of racism prescient of the call for freedom that Black Lives Matter. Wonderland Magazine has described Mieko’s music as, “beautiful poetic verses and stunning musical arrangements” and Mark Taylor of Record Collector as “An avant-garde artist pushing boundaries.”
Mieko Shimizu is a London-based Japanese singer, songwriter, composer, and producer. Mieko first erupted onto the UK electronic scene as Apache 61; her searing alters ego. The self-titled album garnered plays by John Peel and she quickly build a name across the London & Berlin underground scenes. Previously she had released 2 albums in her own name, ‘Totem’ & ‘Road of Shells’, then the album ‘Minimal Dance’ as Mekon Zoo, and in 2020 she released her latest album ‘I Bloom’.
Watch Mieko Shimizu – Phenomena Of The Mind music video:
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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