Music
International Violin Master Bernadett Nyari Champions Women In Single & Video “Palladio”
“Palladio,” a new single and music video by Bernadett Nyari, depicts the struggles of a female artist to be self-reliant.

“Palladio” is an up and coming single and music video performed by world renowned violinist, Bernadett Nyari. The song was written by Karl Jenkins and arranged by Bernadett and Producer Norbert Csicsak. The music depicts the struggles of a female artist to be self-reliant in the music industry which has been notoriously dominated by male performers for many years.
According to the Recording Academy, less than a quarter of the artists on the charts last year were women. Over the past ten years, that number has been stagnant at 21%. And, over the past decade, women only make up 12.7% of songwriters. Bernadett Nyari’s “Palladio” makes a powerful statement showing a woman taking center stage and claiming her worth as an artist.
The world “palladio” comes from a Latin expression that means to safeguard or protect. In the beginning of the video, a curtain expands to reveal a woman holding a violin by her side. Viewers see her in the background as male performers take the spotlight by playing upfront, rushing the stage, and dancing with violins. Are the men protecting her or are they taking the stage away from her? Ultimately, this question is answered as she comes into her own light to claim her own space. At the end, she stands alone on the stage and the curtain retracts. The video is a work of art that was directed by Director, Aleksandar Korom and Producer Aleksandra Svonja.
Aleksandar Korom and Tanja Bogdanic (editor) were the camera directors and the production was by Classica Nova. “Palladio” is being released in advance of Bernadett Nyaris’ anticipated album “The World On My Strings.”
“Palladio” is schedule for release on July 15th with a pre-release on July 8th in advance of Nyari’s anticipated ablum, The World on My Strings, which will feature songs from the US, Croatia, Hungary, England, Italy, Hungary, Israel, Canada, and more.

About Bernadett Nyari: Bernadett Nyari hails from Budapest, Hungary and was born into a musician family. Her maternal grandfather was József B. Suha, one of Hungary’s greatest violinists. He was also a composer and his compositions are played worldwide to this day.
Bernadett began learning to play the violin at age 6, but only decided to dedicate her life to music following a concert tour in Italy when she was 13. From the age of 18, she continued her studies at the Music Academy in Graz, Austria, and became the student of Professor Silvia Marcovici, an outstanding world-renowned violin soloist. She originally studied classical music, but since her dream was to bring joy to all kinds of audiences with her favorite musical genres, she perfected numerous styles of music on her violin in the most varied ways.
Bernadett has become a global traveler entertaining audiences by performing in many countries around the world. She has performed more than in 90 countries, and 150 cities. Her powerful stage presence is underlined by a captivating elegance. To listen to her play is to feel her passion. Her performances offer an incredible array of musical styles, showing the endless possibilities playing the violin. It is a true variety selection… classical, folk, film music, musicals, jazz, country… all played in her personal style with her own arrangements. In 2018 Bernadett was listed as one of the most successful people of Hungary.
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For more information on Bernadett Nyari, please visit her website.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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