Artist Spotlight

LuvAndreas Is Blazing His Path In The World Of Music Making a Real Name For Himself

An original style is one of the most refreshing things to hear in music. In a time when everything sounds the same, there needs to be more creativity and innovation in music. It stands out even more to see an artist dare to be excellent with the style of music they bring to the world. Boston-raised artist LuvAndreas brings that type of sound to the table, as he never seems to run out of fresh and authentic catchy vibe when producing new music.

LuvAndreas is an upcoming Hip-Hop artist and songwriter who is gaining popularity quickly and is on his way to becoming a superstar. Born and raised in Boston, Massachusetts, he has rapidly accumulated thousands of followers on social media and indicates no signs of slowing down anytime soon.

LuvAndreas conversed with us this week and answered our distinctive 11 Questions. Check it out below.

HONK: Let’s start by introducing ourselves. You know the basics, like name, age, and where you’re from, as much or little as you’re comfortable sharing.

LuvAndreas: Hi! My name is Andreas. I am 23 years old and was born in Boston, Massachusetts!

HONK: What’s the best advice you ever received concerning music?

LuvAndreas: The best piece of music advice I’ve ever received was keeping my artist’s integrity on lock. You feel better about yourself when you don’t sacrifice your beliefs for numbers.

HONK: What would you have done differently if you knew then what you know now?

LuvAndreas: I wish I were less arrogant about my come-up. I tarnished a lot of relationships and opportunities at the time. However, I needed to experience the things I experienced to be in the position I’m in today, so I can’t say I would’ve made any changes to my past.

HONK: What is still your biggest challenge?

LuvAndreas: My biggest challenge is finding the time to push my content across social. I’ve got a lot going on in my day, from writing music to working side jobs, taking music courses, maintaining relationships, working out, and trying to live a balanced life where I’m not sheltered in my studio 24/7 like I once lived.

It’s been hard to put in the extra time for marketing. When I experienced my first music burnout, I took over a year off from posting content. Ever since, social media apps have hindered my reach. My passion is making authentic music, not promoting it. I’m working on getting my music out to as many ears as possible.

HONK: What keeps you going when things get tough in the music industry?

LuvAndreas: When things get tough, I ask myself, “what would life be like if I quit?” The answer is always “miserable.” I will not allow myself to give up on my dreams. I have one life on earth. I’d rather die knowing I tried than pass knowing I quit. I think about how much more beautiful life will get once I’m in the place I’m meant to be in. The thing is, I’ll never stop writing songs. The industry will never really break me. I make great music every day. That’s all it is for me. Suppose the numbers stay there.

Oh well. I’ve had a blast doing what I do. I’ve already won. I’m already successful. I love my life and who I am. Sure, it would be even better if I bought houses strictly off the music, which is what I’m aiming for. But until then, I’m successful, and I can’t wait to succeed even more than I already have.

HONK: If you could open a show for any artist, who would it be?

LuvAndreas: I know this might sound generic, but Drake greatly influences me. I learned how to make vulnerable hits from his music. The way he perfected his sound has always stood out to me. I’m reaching that perfection, especially when ensuring every element and sound wave in the song is pure ear candy. Everything is so well-balanced and curated, and it’s genius. Opening for Drizzy would be a dream come true.

HONK: Please talk me through your creative process.

LuvAndreas: My creative process is pretty simple. I just self-reflect and freestyle into the mic. I tune into my feelings and let it all out. I’m visually painting a picture as the words come out. Once it’s done, I go back in, clean the words up, and revise. It’s profoundly intimate and emotional. Coming up with these songs is the most personal and sacred moment in what I do. It’s my favorite part.

HONK: What are you focusing your time on now?

LuvAndreas: I do many different things throughout my day traveling, working out, reading books, picking up new hobbies, practicing empathy and mindfulness, and taking those small steps forward that help me become better than I was yesterday. I’ve been expanding my overall palette for life’s many different experiences.

HONK: How do you currently feel about the state of “Your genre” in general?

LuvAndreas: My current genre is still being developed and fine-tuned, I have yet to release any of these experimental songs, but you will hear them all on my upcoming album. It’s a self-reflective pop-rap album that’s taken influence from multiple different genres. They sound amazingly unique, and I can’t wait for the world to listen to what I’ve been creating.

HONK: How can our readers follow you online?

LuvAndreas: You can find me on Instagram, Twitter, YouTube, Spotify, TikTok, and more! I go by LuvAndreas, and my music is available in 150+ music libraries. I’m working on my most significant album, which will be released in 2022. You won’t find any other music like this. Thank you!

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Artist Spotlight

D. Edge drops irresistible new single “GO T.S.F.G.”

D. Edge is back with a bang! With his latest release, “GO T.S.F.G.,” the dynamic artist continues to impress with a catchy melody, infectious rhythm, and a living and breathing sound evolution that gives us plenty of reasons to keep an ear out. This track proves how D. Edge is a rising force in the new music scene, presenting a perfect balance of addictive beats with outstanding vocal flow.

The music has a driving energy but a laid-back feel, allowing the track to breathe and groove effortlessly. The hypnotic cadence of the melody keeps listeners moving and numbers vibrating at the same time. It’s a perfect demonstration of how D. Edge understands how to combine energy with ease, making every moment feel seamless and effortless.

But this is not only about the beat. But what makes “GO T.S.F.G.” stand out is D. Edge’s flawless melodic flow. His delivery rides effortlessly over the instrumental, carving every phrase easily and in style. It’s a performance with a sense of freedom throughout a single song. His voice hits sweet, almost ethereal notes and confident, nearly commanding ones, and he captures in his notes every turn.

Regarding lyrics, it sounds like an invitation to a unique sonic experience. MDOT D. Edge provides an atmosphere for the audience to jump into the unexplored world of the track, breaking free of the everyday to lose themselves in the soundscape truly. The song title, “GO T.S.F.G.,” raises a question, adding to the song’s allure as fans ponder its meaning.

This is an incredible song, and if you have been listening to his music for years or if you’re thinking about listening to it for the first time, Go T.S.F is a must. It highlights the evolution of someone like D. Edge. With this release, he has cemented himself as an artist to follow in the constantly changing music landscape.

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Artist Spotlight

Peter Wilson breathes melody into Utah Phillips’ legacy with haunting new single “Old Man”

“Old Man,” Peter Wilson’s newest song, is a raw intergenerational dialogue steeped in empathy and aching humanity. Written in collaboration with the now-deceased Utah Phillips, a legendary folk musician known as the “Golden Voice of the Great Southwest,” this song presents a moving narration through the eyes of someone society too often neglects.

With lyrics by Phillips and music by Wilson, “Old Man” unites two poets in time. The effect is a gorgeously stripped-down folk ballad that comes across less like a performance than a moment of authentic listening, like a man on a park bench finally telling you the truth about his life, and you can’t help but lean in. Wilson’s acoustic music is spare and stark, letting the story do the heavy lifting. Every chord sounds intentional, as if he’s allowing room for the words to breathe, not speeding them up, just allowing them to speak. His tone is steady and gentle, almost reverent, echoing and channeling the spirit of Phillips’ storytelling. Every note carries the respect you can hear.

However, what makes “Old Man” land so much harder is its unvarnished honesty. There’s no fancy version of homelessness here. No over-dramatization or overproduction. Just quiet, contemplative music that puts you in someone else’s frayed shoes. It’s the kind of song rarely written, inviting you to rest momentarily contemplate. The track feels timeless, rooted in classic folk, and has fresh emotional resonance. It resonates with today’s audience as incisively as it may have decades ago, reminding us that tales like this still play out on every street corner daily.

By combining Utah Phillips’ words with his musical setting, Peter Wilson has created more than a song. He’s made a vessel for compassion, memory, and our oneness as humans. “Old Man” has no interest in working for your attention. It quietly earns it.