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Former/Current Members of Chicago, Whitesnake, Billy Joel, Trans-Siberian Orchestra Featured in New Single from Studio D’Lux

Studio D’lux releases “Light Still Shines” from their forthcoming self-titled debut EP. The single features lead vocals from former Chicago vocalist, Bill Champlin.

Studio D’lux is a unique musical venture fueled by singer, songwriter and instrumentalist Doug Kistner, who writes and produces all the songs released by the group. Following the release of their debut single, “Ain’t Good Enough,” which racked up nearly 70K spotify streams, Studio D’lux has launched their latest single, “Light Still Shines.” The new single features a roster of globally renowned former or current members of the bands ChicagoWhitesnakeTSOBilly Joel, and more. The project aims to produce a modern blend of classic rock and yacht rock, but with added nuances and modern twists that make the music unique and fresh.

Packing a real punch, the song features former Chicago lead singer, keyboard player and Grammy Award winner, Bill Champlin; legendary Billy Joel drummer Liberty Devitto; and coveted Whitesnake and Trans-Siberian Orchestra guitarist Joel Hoekstra; alongside Kistner, who has performed with TSO, John Waite and more.

A self-titled EP release will follow on December 2nd, 2022, also features Elliot Randall (Steely Dan), Jon Herington (Steely Dan), and Glen Burtnik (Styx).

Studio D’Lux developed from Kistner’s collaboration with Bill Champlin.  Their single, “There’s The Door” hit the Mediabase Activator, the New Music Weekly and National Radio Hits radio airplay charts, while reaching the iTunes sales charts in the UK.

More details can be seen at https://ffm.to/studiodlux.

http://www.facebook.com/studiodluxmusic

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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