Music
John McDonough Releases 3rd Single From His 2022 Concept EP
“Point Me East” is sung from the perspective of “The Husky Clipper,” the racing shell used to win Gold at the 1936 Berlin Olympic Games.
Known for his emotional vocal delivery, his inspiring acoustic melodies and his moving lyrics, John McDonough enjoyed breakout success in 2021, with the release of his “Second Chances” album. Tracks from the acoustic collection received over 50K Spotify streams, earning him multiple industry awards nominations. His follow-up release, the 2022 concept EP, ‘We’ll Answer the Call,” raised the bar even higher: McDonough scored a #1 UK iTunes hit with the 2nd single, “Shooting Star.” To date, the 5-song release about the 1936 Gold Medal Winning US Olympic Rowing Team, has received over 125K Spotify streams. The two accompanying music videos have enjoyed more than 20K Youtube views, garnering Official Selections to international film festivals.
Now, John McDonough has released the 3rd single from “We’ll Answer the Call.” “Point Me East” is unique in its point of view. John explains:
“Point Me East’ is sung from the point of view of the Husky Clipper, the eight-man racing shell used to win gold in the 1936 Berlin Olympic Games. The fully restored shell, on display at the University of Washington Shell House, provides inspiration for generations past and present.”.
The new single will further expand the EP’s concept, and its upcoming music video will visualize the raw emotions that John McDonough has put into all the tracks of this EP. He is now fully geared to get back into his RV named “Roxie” and continue touring the country to promote this unique EP.

ABOUT JOHN MCDONOUGH: John McDonough is a singer/songwriter from Chicago, Illinois whose shows span six decades of hits combined with unique and moving originals. John’s acoustic guitar work, passionate vocals, and personal lyrics result in a modern singer/songwriter sound rarely heard. Before relocating to Chicago in 2020, John had spent 25 years performing in and around Austin, TX. He played to the rowdy crowds of 6th street, the dinner crowds of the suburbs, and everything in-between. Ten years ago John retired from psychotherapy to focus solely on music, and in that time has released five CD’s of original music, played over 500 gigs, performed in eleven major music festivals, several times appeared and performed on local and national radio, and embarked on successful tours throughout the United States. ‘Dream’s and Imagination,’ ‘Surrounding Colors,’ and ‘Can You See Me Now,’ released between 2014 to 2019, all received great reviews and airplay throughout Europe and the United States, with all three releases spending six consecutive months on the Americana Music Association Record Chart.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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