Album Review
California King unveils its new rock album with “The Last Lovers”
California King, a Brooklyn-based band, has recently launched their new album, “The Last Lovers,” which features 10 tracks that defy genre boundaries. The group, deeply influenced by the Brooklyn Rock scene, has established itself as a critical figure in the Black Rock movement by blending rock, soul, and Afro-Punk elements to create a unique musical fusion.
“The Last Lovers” was recorded at a studio in Flatbush, Brooklyn, and is the brainchild of Mike Mills, the vocalist, guitarist, writer, producer, recording engineer, and album mixer. The album explores the theme of love in various forms, from lost to found, spanning from the energetic rhythms of the opening track, “The Last Lovers,” to the emotive anthem “Something Human” and the haunting “I Think I Like You,” showcasing California King’s emotional depth and artistic prowess.
The album’s lead single, “The Last Lovers,” was conceptualized during the pandemic, capturing the essence of individuals coming together against societal challenges. This track sets the tone for the album as a celebration of unwavering love during difficult times. Notable tracks include “My Desert Heart,” a poignant reflection on yearning, and “Mandala,” an ode to the complex dynamics of love and desire. The album concludes with “Roses,” an advanced single embodying the perseverance required for nurturing enduring relationships.
California King, consisting of Mike Mills, Howard Alper on drums, Ernest G. D’Amaso on bass and backing vocals, and Asim Barnes on guitar, brings their diverse influences to life, drawing inspiration from the likes of Howling Wolf, Jimi Hendrix, and The Black Keys. Their previous performances at prestigious venues such as the Brooklyn Academy of Music, The Whitney Museum, and Afro-Punk events have solidified their image as a vibrant group with a distinct, fiercely DIY ethos.
“The Last Lovers” is a valuable addition to any music collection, offering an essential listen for enthusiasts seeking introspective charm combined with rock and soul swagger. Each track invites listeners into a rich soundscape of shimmering melodies and evocative whispers, culminating in a profoundly immersive sonic experience.
CLICK HERE TO STREAM California King’s Album “The Last Lovers“ on Spotify.
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Album Review
Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”
Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.
Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.
“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.
The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.
The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.
Connect with Aptøsrs on Website | X | Facebook | Spotify | Instagram |
Album Review
Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)
Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal.
Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.
There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.
With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.
Connect with Mt. Kili on | Spotify
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