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Olivia Reid presents her latest EP, “TO BE NAMED BY THE PEOPLE” [Premiere]

Olivia Reid

Olivia Reid is back with her latest EP, “TO BE NAMED BY THE PEOPLE.” This 6-track masterpiece, clocking in at 21 minutes and 6 seconds, is a breathtaking fusion of electronic and indie-pop that pushes the boundaries of contemporary music.

In a world that often glosses over the nuances of human experience, Olivia Reid fearlessly delves into the complexities that define us. “TO BE NAMED BY THE PEOPLE” is a profound exploration of the multi-faceted nature of our feelings, where contrasting emotions coexist harmoniously.

The EP opens with “Runner’s High,” a sonic rollercoaster where exhaustion and adrenaline collide in a whirlwind of sound. Reid’s ethereal vocals and innovative production create an atmosphere that is both exhilarating and introspective.

“Wounds (Healing),” the EP’s second track, is a poignant meditation on pain and the transformative power of healing. Reid’s lyrics cut deep, touching the heart while her music soothes the soul.

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“Central Park West” follows, a musical voyage through the juxtaposition of grief and joy. Reid’s ability to convey profound emotion through her music is nothing short of extraordinary.

As the EP progresses, “Nightmare Machine” explores the realm where dreams intermingle with unrest, inviting listeners to confront the shadows of their subconscious.

However, it’s with “Madness (Act I, II, + III)” that Olivia Reid truly shines. This three-part opus takes the listener on a gripping journey, from the brink of madness to the clarity that arises from embracing the chaos within. It’s a tour de force in storytelling through music.

“TO BE NAMED BY THE PEOPLE” is a demonstration of Olivia Reid’s artistry and her commitment to pushing the boundaries of her craft. Her willingness to delve into the depths of human emotion and translate it into music is a gift to us all.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

Electronic

Rayhan’s “1f(one flew)” is a beautiful breakdown before the breakthrough

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There’s something mesmerizing about a meltdown with a style that can make chaos feel like clarity and in Rayhan’s new single, “1f (one flew),” it all reaches its breaking point. A genre-blurring track produced by Charlie Weare, Rayhan’s “1f (one flew)” is a raw, self-aware firecracker of emotion and noise that merges the fog of shoegaze, the bite of indie rock, and the witty punchlines of alternative hip hop. This would be the soundtrack to spiraling. With the line, “Everyone gets tired of me / But I get tired of myself too,” Rayhan comes out swinging.

It’s a bit of brutally honest, sometimes sardonic, fully human dialogue. The track plays like a 3 a.m. journal entry shredded through a distortion pedal and blaring through blown speakers. “1f (one flew)” is a cleansing shifting between emotional confession and revolution. Rayhan can hold contradictions in his hands, exhaustion and exhilaration, control and chaos, sadness and swagger. The Charlie Weare production punches hard but without overpowering Rayhan’s voice. It’s sloppy in the most purposeful sense, with thick layers of fuzz and a vocal delivery that sounds like a sneer and a scream all at once.

Everything feels frayed around the edges and also deeply considered. It is music that reflects the mind of someone coming apart but doing so beautifully. With this track released in anticipation of Rayhan’s album release, “uDOPE,” we can tell he’s not here to play it safe. “1f (one flew)” is a warning shot, a wild opening, maybe even a last gasp before something big comes. For those who laugh while falling apart, and for people who draw strength for in their imperfection, Rayhan you just gave your tribe an song.

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Electronic

Shayopro delivers seductive afrobeat elegance with “ED”

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Shayopro’s new single “ED” comes laced with confidence, delivering a silky Afrobeat vibe that manages to walk the tightrope between raunch and class. In a world of brash tracks originating from the negative generator, “ED” takes it down a notch, welcoming in listeners with intimate grooves and low-key elegance. “ED” establishes a percussion that swerves like a warm night’s breeze. There is subtle and yet well-placed percussion, which adds to this, and the sexy melody moves effortlessly on top. It’s a sound that seems both of the times and timeless, one that settles right into the sophisticated spirit that Shayopro has cultivated.

There’s the hardscapes-landscape connection running through “ED,” too, enriched by an unmistakable chemistry. The casual pace doesn’t take away from its romantic tug to the contrary, it augments it. The sexy undertones are all whisper and no scream, popping it off just slightly enough to feel sophisticated and powerfully liquid. Whether you’re spending a quiet moment with that special someone or just vibing on your own, “ED” is the ideal musical accompaniment. Smooth and seductive, his voice nests into the beat with an ease that is familiar yet personalized, intimate though universal.

It’s in the bent of his phrasing, the ease of his delivery, the quiet assurance of his presence. “ED” is the song that leaves you wanting more. Shayopro knows the value of holding back, the groove should do the legwork, not carry the weight of the song. The result is a track that burrows into your skull and stays there long after the final note has faded away. In a culture of excess, “ED” is a friendly reminder that, more often than not, less is more. Shayopro’s suave appeal here is supported by a deeply endearing sound, creating something tailored for the modern world yet timeless.

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