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Brian Strand’s “Not Good Enough,” a Nostalgic Reverie with Rock-Pop Modern Twist

Brian Strand

Brian Strand, hailing from the vibrant music scene of Sacramento, has gifted us with his latest sonic creation, “Not Good Enough.” If this single is any indication, we’re in for a musical journey that transcends time and genre boundaries, blending the nostalgia of 90s rock with a contemporary pop-rock twist. As the third single from his debut solo album, released on June 16, this track is a delightful concoction of catchy melodies, introspective lyrics, and a rhythmic groove bound to get you moving.

Recorded and engineered in Brian’s home studio in sunny California, the song’s production is a testament to his craftsmanship. Mastered by Dan Menapace and remastered by Billy Farmer of In A Box Records, “Not Good Enough” is a testament to the collaborative prowess of these skilled professionals.

The song takes you on a sonic rollercoaster, evoking memories of classic pop-rock with its pounding drums and heavy guitar riffs. However, the infusion of modern elements, like electronic rhythms and synths, sets it apart, giving it a unique contemporary edge. This fusion showcases Brian Strand’s versatility as an artist, firmly establishing him as a vibrant gem in today’s music scene.

Brian’s lyrical finesse shines through in “Not Good Enough” as he explores themes of self-doubt and insecurity. In a world where we often seek validation from others, especially in artistry, this song delves into the universal struggle of feeling inadequate. It’s a theme that resonates with many, whether it’s the pursuit of success or simply trying to connect with others on a deeper level.

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Brian’s music is heavily influenced by artists like Nine Inch Nails, Elliott Smith, AJR, and Billie Eilish. However, in his song “Not Good Enough,” you can hear a sound that is distinctly his own. The song’s catchy melody takes you back to the 2000s-era boy bands, adding a charmingly nostalgic touch to the deeper themes of the music. And just when you think you know what to expect, the bass and drums kick in, and you are pleasantly surprised by a subtle hint of Gorillaz that adds a delightful dimension to the track.

In a world where music often feels formulaic, mirroring our innermost thoughts and feelings, “Not Good Enough” is a relatable anthem for anyone grappling with self-doubt. It’s a refreshing gust of creativity that reminds us that, despite our insecurities, we can still find our groove and create something truly exceptional.

Brian Strand’s “Not Good Enough” is a modern take on classic rock-pop that you should definitely check out. With this single, Brian has firmly established himself as a talented artist to watch in his contemporary music, where true artistry has no boundaries. Take advantage of this gem; it’s a perfect addition to your summer playlist.

 

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CLICK HERE TO STREAM Brian Strand’s Not Good Enough on Spotify.

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Artist Spotlight

MIVA unveils a soft texture with an unexpected grit on latest release “Do You”

MIVA

“Do You,” an alternative R&B track, evokes a compelling sense of motion, MIVA, one that finds itself comfortably between familiar textures and surprising production choices. The Montreal-based artist, producer, songwriter, and visual artist considers music part of a larger world where sound, fashion, and cinematic storytelling converge.

The production doesn’t want to stay still, not least through the saxophone, which gradually mutates into something like an electric guitar. It’s an odd detail that gives the arrangement an evolving character without detracting from its alternative R&B foundation. Vocal fry adds an unexpected metal influence to the track, adding some grit and tension below the softer textures.

MIVA allows different influences to coexist in the same space rather than being defined by a single, obvious musical direction. The result is a very identity-driven track, with a hypnotic rhythm, expressive vocals, and production choices that keep the listener on their toes throughout. “Do You” is a showcase of MIVA as an artist who is unafraid to explore the space between softness and intensity, offering an alternative R&B experience with its own character.

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Artist Spotlight

With “A New Frame of Mind” EP, We Told You So finds strength in loss, friendship, and change

We Told You So

Growth comes with loss, hard realizations, changing relationships, and the uncomfortable process of learning how to keep going when life refuses to slow down. That tension is central to “A New Frame of Mind” by We Told You So, an EP that draws from personal experience and turns it into a larger story of resilience, friendship, grief, independence, and the courage to start over.

Opening the EP is the track “Anchor in the Storm,” a particularly important, very personal tribute, written during a period of loss. This song is about how important the people in our lives are for keeping us anchored when our world feels shaky. Followed by “Echoes of Resilience,” which takes that sense of connection and extends it from the struggles of one individual to the struggles of others. The perspective is the frustration of seeing pain from afar but choosing to cling to hope.

Meanwhile, “Last for Long” ups the energy, celebrating friendships that endure tough seasons and stay when circumstances change. “Running Out of Time” is a reminder of the band’s DIY, small-town indie roots and the realization that you have to chase your dreams before the chance is gone. Next up is “Season of Change,” which is more introspective, exploring family, aging, and the inevitability of change as we grow older.

The EP’s French-language track, “Pas Besoin de Toé,” further links the record to We Told You So’s roots in Trois-Rivières, Québec, and also speaks to independence and the decision to cut toxic influences out of your life. From there, “Time to Rise” embodies the project’s essence, from individual struggle to collective action and self-belief.

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Closing the EP is “My Last Verse,” which works through its pain to clarity. At the end, We Told You So is making a record about choosing what happens next. It’s gritty when it needs to be, introspective when it wants to be, and optimistic without being naive. The EP is based on the idea that moving on is an act of strength in itself.

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