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Singer/Songwriter Robert LaRoche Releases New Music

I’m no stranger to Robert LaRoche’s songwriting. Longtime songwriter, solo artist, and frontman for The Sighs, LaRoche enjoys a well-deserved reputation as a songwriter’s songwriter who commands respect from his peers and has a devoted following stretching back years. I approached his new solo release Forevermore with excitement. My faith in his abilities proved well-placed as LaRoche serves up ten songs rich with the accumulated experiences of a lifetime and brimming with the same unique talents that have secured his place in the modern indie music scene. For those familiar with him, Forevermore is a reaffirmation of his gifts while, for newcomers, it gives them an excellent place to start their discovery of his work.

Acoustic guitar is integral to this album and “Steal Your Heart” announces that from the first. This isn’t a folky singer-songwriter effort, however, as LaRoche’s decades-long experience fronting bands serves him well here and elsewhere. It’s a full-throated ensemble performance replete with satisfying changes and a lyric that veers between aching affection and borderline heartbreak. Zonder Kennedy’s guitar solo puts a fiery exclamation point on “Burn That Kingdom Down”, the album’s second song, but LaRoche’s lyrics are equally impressive. He writes and sings as if this were one of those songs that took a week or so to write and two decades to live. The sense of stakes is audible from beginning to end.

“Forevermore” is a strong title song. LaRoche aims for more of a mood piece with this cut and the diverse instrumentation he utilizes for the collection surfaces here in a pronounced way. He frames the unattainable object of LaRoche’s desire at the heart of this song in tasteful poetic lyrics that he’s well suited for conveying with his voice. Vocal harmonies play an important role in fleshing out many of Forevermore’s songs and sweeten the obvious vulnerability underlying a song such as “Safter Inside”. It adopts the same semi-brisk pace as many of the release’s other songs but never feels rushed.

He serves up a nuanced song about lost love with “Temporary Virtue” and mature listeners will appreciate his unique take on the subject. There’s heartache and regret galore throughout this lyric. LaRoche and the sensitive arrangement conspire well to communicate those emotions. It lays his heart bare in a more direct fashion, at least musically than some of the preceding songs while being no less effective. The rueful “Traitorous Heart” gains a lot of traction from the contrasting laid back character of its arrangement and LaRoche’s scornful lyrics. He lays out betrayal and undermining behavior in a matter of fact manner. There are hints of the underlying resentment, however, provided by the song’s electric guitar passages.

This is a thoroughly successful release from beginning to end. Robert LaRoche deserves fulsome praise for his ability to write about a subject as old as song itself, love, in such an individualistic fashion. He isn’t remaking the songwriting wheel with Forevermore, but he pours old wine into new bottles with a skillfulness that deserves our applause and attention.

Jamie Morse

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With “A New Frame of Mind” EP, We Told You So finds strength in loss, friendship, and change

Growth comes with loss, hard realizations, changing relationships, and the uncomfortable process of learning how to keep going when life refuses to slow down. That tension is central to “A New Frame of Mind” by We Told You So, an EP that draws from personal experience and turns it into a larger story of resilience, friendship, grief, independence, and the courage to start over.

Opening the EP is the track “Anchor in the Storm,” a particularly important, very personal tribute, written during a period of loss. This song is about how important the people in our lives are for keeping us anchored when our world feels shaky. Followed by “Echoes of Resilience,” which takes that sense of connection and extends it from the struggles of one individual to the struggles of others. The perspective is the frustration of seeing pain from afar but choosing to cling to hope.

Meanwhile, “Last for Long” ups the energy, celebrating friendships that endure tough seasons and stay when circumstances change. “Running Out of Time” is a reminder of the band’s DIY, small-town indie roots and the realization that you have to chase your dreams before the chance is gone. Next up is “Season of Change,” which is more introspective, exploring family, aging, and the inevitability of change as we grow older.

The EP’s French-language track, “Pas Besoin de Toé,” further links the record to We Told You So’s roots in Trois-Rivières, Québec, and also speaks to independence and the decision to cut toxic influences out of your life. From there, “Time to Rise” embodies the project’s essence, from individual struggle to collective action and self-belief.

Closing the EP is “My Last Verse,” which works through its pain to clarity. At the end, We Told You So is making a record about choosing what happens next. It’s gritty when it needs to be, introspective when it wants to be, and optimistic without being naive. The EP is based on the idea that moving on is an act of strength in itself.

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Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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