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Hit-Boy Narrates How He was Introduced to Nas Through Frank Ocean: A Story Revealed
Nas and Hit-Boy’s recent partnership has been legendary in the hip-hop industry. In just four years, they have released six albums, with three from the King’s Disease series and three from the Magic series. Their abundant production has received universal praise, especially the featured appearances by 50 Cent and Lil Wayne on Magic 2 and Magic 3.
In a recent interview with Rap Radar, Hit-Boy revealed the surprising origins of this fruitful partnership. According to the producer, he was introduced to Nas by none other than Frank Ocean. The introduction happened back in 2013 when Hit-Boy was working on a demo with Ocean.
“We met originally in like 2013. I did a demo with Frank Ocean and Frank Ocean played it for Nas. Me and Frank had a session of our own, we were just working on music and he did a hook he was like ‘yo I’m about to go work with Nas. I wanna play this hook for him.’ He played it and Nas was rocking with it,” Hit-Boy explained.
Eventually, the track transformed into “Royalty” from Nas’ Lost Tapes 2, but only Frank’s lyrics were kept in the final version.
In a post on Instagram last month, Hit-Boy further discussed his long-held desire to collaborate with Nas. He shared a note from his phone dated September 11th, 2011, where he expressed his wish to produce a Rihanna single and just three songs on a Nas album.
“Fast forward 12 years later and i’m 6 ALBUMS in with the God himself wow. How did we get here?!!,” Hit-Boy wrote.
The story of how Frank Ocean connected Hit-Boy and Nas is a testament to the power of networking and collaboration in the music industry. It also highlights the role of serendipity in shaping the course of music history.
As fans, we can only marvel at the string of albums that this introduction has produced and look forward to more collaborations from these talented artists in the future.
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Adrie ft. Rulo evokes the groove-soaked rhythmic vibe with her debut single “Bring Back the Light”
Adrie’s thought-provoking vibe, “Bring Back the Light,” establishes a sonically vivid kaleidoscope that encapsulates vitality and skillfully merges energetic Afrobeat rhythms and funk-oriented guitar melodies with the soulful combination of English and Spanish lyrics. The debut single from her upcoming concept album bursts forth as a significant representation of artistic innovation. The audacious collaboration with Chilean artist Rulo, recognized for his proficiency in Latin funk and hip-hop roots, infuses the track with a layer of vibrant authenticity.
The song’s heartbeat is firmly rooted in Afrobeat, establishing a dynamic rhythm that engages listeners from the outset. The funk guitar elements interlace throughout the composition, contributing a timeless energy. Additionally, the bilingual lyrics transition seamlessly between English and Spanish, reflecting Adrie’s diverse cultural heritage. This linguistic interplay underscores the overarching theme of the track: the complex relationship between light and darkness on both societal and personal levels.
Drawing inspiration from the surreal narrative of the television series ‘Twin Peaks,’ Adrie and Rulo explore the equilibrium between fear and hope. The lyrics are imbued with emotional depth, articulating Adrie’s battle with anxiety and her desire to foster positivity. Nevertheless, the overall composition rises above the melancholy theme, characterized by an uplifting rhythm and celebratory tone, encouraging listeners to engage intellectually, contemplate profoundly, and participate physically through dance.
“Bring Back the Light” aims to illuminate these pressing issues and inspire proactive engagement. It is a poignant reminder that even amidst personal or societal challenges, there’s a rhythm in life to celebrate and a spark waiting to be ignited. This represents Adrie at her most creative, and with Rulo’s distinctive flair, the outcome is a dance-floor anthem characterized by both heartfelt and meaningful. Listeners are invited to increase the volume and allow the music to uplift and brighten their spirits.
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Album Review
“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories
Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
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