Indie
Americana duo Dorsten Release New Music
In their new single “To the River,” Americana duo Dorsten continue to develop their sharp tandem tonal attack with larger-than-life harmonies that could make anyone into a fan of modern roots music. “To the River” has all the cosmetics of a true indie-pop song; a big hook, an easygoing groove, and a pair of players in Dorsten that can give life to just about any hook they get their hands on, but the mechanics of the track have a lot more in common with vintage folk music than they do anything else. There are a lot of layers to peel back in this act’s sound, but no matter how you take their music or which genre you choose to classify it as there’s no getting around the simple fact that they’ve got more talent than most anyone in their southwestern peer group at the moment.
Everything in this song revolves around preserving the authenticity of the harmony, which most indie artists would take issue with right out of the gate. There’s often no room in the mix for eliminating the artificialities that come with propping up skyscraper-sized hooks when making conventional pop music, but that’s where Dorsten’s folk ethic comes into play. They’re going out of their way to make sure there’s a little bit of a swing to their shared vocal delivery, and within the substance of the harmony itself, we find a lot of unrefined, humble tonality that lets us know we’re listening to something real and tangible. It’s not a bastion of the revivalist movement, but rather a more virginal era of the Americana genre they’re drawing inspiration from here.
https://open.spotify.com/album/7fGo6G0ysyZCh9Co8Lcjl3
Even with its subtle bassline being factored into the equation, the groove in this track is heavy enough to get us moving to the beat steadily from the get-go. I’m not one hundred percent certain, but if I were to make an educated guess, I’d say that Dorsten wanted to make a point of demonstrating how little they need to depend on external resources when crafting something original in the studio with “To the River.” The irony comes in the form of the lyrical content, which alludes to pop culture in the bluntest of fashions, amidst a backdrop that is born of something removed from cosmopolitan artistry altogether.
The underground is always producing new talent, no matter what genre of music we’re discussing, but when it comes to folk and its many factions, its latest export in Dorsten proves that the state isn’t losing its touch by any means. This has been an intriguing time for Americana, and specifically for folk-pop crossover artists, but in “To the River,” I think we can hear shades of a newly evolved sound coming from these two that will be more than worth following up with in the future. They’ve still got time to keep growing, but as of this moment, this brother and sister act is among my top indie folk bands to watch as we get closer to 2024.
Bradley McClure
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Adrie ft. Rulo evokes the groove-soaked rhythmic vibe with her debut single “Bring Back the Light”
Adrie’s thought-provoking vibe, “Bring Back the Light,” establishes a sonically vivid kaleidoscope that encapsulates vitality and skillfully merges energetic Afrobeat rhythms and funk-oriented guitar melodies with the soulful combination of English and Spanish lyrics. The debut single from her upcoming concept album bursts forth as a significant representation of artistic innovation. The audacious collaboration with Chilean artist Rulo, recognized for his proficiency in Latin funk and hip-hop roots, infuses the track with a layer of vibrant authenticity.
The song’s heartbeat is firmly rooted in Afrobeat, establishing a dynamic rhythm that engages listeners from the outset. The funk guitar elements interlace throughout the composition, contributing a timeless energy. Additionally, the bilingual lyrics transition seamlessly between English and Spanish, reflecting Adrie’s diverse cultural heritage. This linguistic interplay underscores the overarching theme of the track: the complex relationship between light and darkness on both societal and personal levels.
Drawing inspiration from the surreal narrative of the television series ‘Twin Peaks,’ Adrie and Rulo explore the equilibrium between fear and hope. The lyrics are imbued with emotional depth, articulating Adrie’s battle with anxiety and her desire to foster positivity. Nevertheless, the overall composition rises above the melancholy theme, characterized by an uplifting rhythm and celebratory tone, encouraging listeners to engage intellectually, contemplate profoundly, and participate physically through dance.
“Bring Back the Light” aims to illuminate these pressing issues and inspire proactive engagement. It is a poignant reminder that even amidst personal or societal challenges, there’s a rhythm in life to celebrate and a spark waiting to be ignited. This represents Adrie at her most creative, and with Rulo’s distinctive flair, the outcome is a dance-floor anthem characterized by both heartfelt and meaningful. Listeners are invited to increase the volume and allow the music to uplift and brighten their spirits.
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Album Review
“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories
Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
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