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Album Review

Taydem Shoesmith Lives Up to the Hype with Upcoming Single “This, That”

The current state of the music industry is a kaleidoscope of genres and styles. There’s something for everyone. But in this eclectic panorama of sound, jazz, a genre historically rich in emotion and complexity, often gets overlooked. It’s a niche genre, enjoyed by a select audience. But here’s the deal. We’ve been introduced to a singer-songwriter who’s challenging that niche status – Taydem Shoesmith.

Taydem hails from Iowa and with her new single “This, That”, she’s pushing the boundaries of what jazz can be. Her work is robust, layered, and carries a certain sophistication that’s characteristic of the best jazz pieces. But there’s a twist. She’s seamlessly blending traditional jazz with a modern streak, making it accessible to the 21st-century listener.

The result is a stunning single that’s got everyone’s attention. Taydem Shoesmith’s “This, That” promises to be a melodious journey into the world of jazz. It’s not just a song, but an experience. An experience that takes you on a ride through melody and lyrics, punctuated by Taydem’s enchanting vocals.

The song unfurls like a story. It’s sophisticated and timeless, yet relatable. The instrumental arrangement creates a mellow atmosphere and sets the stage for Taydem’s introspective lyrics.

The opening notes are soothing, enveloping the listener in a cozy cocoon of melody. As the song progresses, the instrumental elements rise and fall seamlessly, creating an engaging soundscape that keeps you hooked. Despite its laid-back tone, the song maintains a sense of playfulness that’s absolutely delightful. It’s a treat for the ears, and a testament to Taydem’s musical prowess.

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Taydem Shoesmith is a true vocalist. Her voice is the life of the track, gliding effortlessly over the instrumental backdrop. It’s controlled yet emotive, a rare combination that adds depth to the song’s narrative.

So does it live up to the hype? Absolutely. “This, That” is a triumph for Taydem Shoesmith. It showcases her prowess as a songwriter, a singer, and an artist who’s redefining jazz.

She’s set to drop “This, That” on November 5th, 2023. You’ll want to mark your calendars. It promises to be a treat for fans and newcomers to the genre alike.

 

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Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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Album Review

With “The Rhythm of Mandolay” album, Eye Travel finds beauty in the space between memory, melodies, and moments

Eye Travel

With “The Rhythm of Mandolay,” Gothenburg singer-songwriter Christoffer Andersson, known from his musical project Eye Travel, reveals a deeply personal world. It is an 11-track album forged in time, reflection, and creative discovery and a crossroads between past and present.

The project was recorded with Charles Storm at the Cloudchamber studio on the island of Hisingen, and it turns individual songs into a linked collection where raw emotion, acoustic beauty, and vintage influences coexist. The album kicks off with “Holly,” a dramatic opener built on an Omnichord foundation and expressive vocals that have a theatrical quality. Next up is “Birdsong,” a more delicate affair with breezy melodies that recall the charms of 90’s pop.

For “Verona,” Eye Travel strips everything back and creates an intimate acoustic moment that captures feelings of distance and quiet longing. “Going Under” takes a different direction, using heavy Moog bass and lush string and flute arrangements to create a boisterous, vintage-inspired sound with lots of movement. Meanwhile, “This Planet” takes a bright, catchy pop approach that brings a playful energy, and “Beech Street” is a warm, reflective acoustic folk-pop memory trip.

“Castle” slows the pace to a gentle European folk feel, establishing an intimate, personal atmosphere. “Scientia” is a nicely placed instrumental lullaby that helps the album flow, and “Surface” is a quick but poignant glimpse of a fleeting feeling. “Pauline” is one of the album’s most powerful moments, a grand, emotional performance that captures its drama.

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The last song on the album, “Comforting Hell,” leaves a bittersweet taste, exploring the tricky places where sadness and comfort can coexist. “The Rhythm of Mandolay” is an album carefully constructed on the rhythm of contrast. Eye Travel delivers a timeless record that is so very human, drawing on vintage influences, acoustic storytelling, and emotional honesty.

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