Album Review
Taydem Shoesmith Lives Up to the Hype with Upcoming Single “This, That”
The current state of the music industry is a kaleidoscope of genres and styles. There’s something for everyone. But in this eclectic panorama of sound, jazz, a genre historically rich in emotion and complexity, often gets overlooked. It’s a niche genre, enjoyed by a select audience. But here’s the deal. We’ve been introduced to a singer-songwriter who’s challenging that niche status – Taydem Shoesmith.
Taydem hails from Iowa and with her new single “This, That”, she’s pushing the boundaries of what jazz can be. Her work is robust, layered, and carries a certain sophistication that’s characteristic of the best jazz pieces. But there’s a twist. She’s seamlessly blending traditional jazz with a modern streak, making it accessible to the 21st-century listener.
The result is a stunning single that’s got everyone’s attention. Taydem Shoesmith’s “This, That” promises to be a melodious journey into the world of jazz. It’s not just a song, but an experience. An experience that takes you on a ride through melody and lyrics, punctuated by Taydem’s enchanting vocals.
The song unfurls like a story. It’s sophisticated and timeless, yet relatable. The instrumental arrangement creates a mellow atmosphere and sets the stage for Taydem’s introspective lyrics.
The opening notes are soothing, enveloping the listener in a cozy cocoon of melody. As the song progresses, the instrumental elements rise and fall seamlessly, creating an engaging soundscape that keeps you hooked. Despite its laid-back tone, the song maintains a sense of playfulness that’s absolutely delightful. It’s a treat for the ears, and a testament to Taydem’s musical prowess.
Taydem Shoesmith is a true vocalist. Her voice is the life of the track, gliding effortlessly over the instrumental backdrop. It’s controlled yet emotive, a rare combination that adds depth to the song’s narrative.
So does it live up to the hype? Absolutely. “This, That” is a triumph for Taydem Shoesmith. It showcases her prowess as a songwriter, a singer, and an artist who’s redefining jazz.
She’s set to drop “This, That” on November 5th, 2023. You’ll want to mark your calendars. It promises to be a treat for fans and newcomers to the genre alike.
Album Review
Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”
Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.
Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.
“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.
The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.
The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.
Connect with Aptøsrs on Website | X | Facebook | Spotify | Instagram |
Album Review
Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)
Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal.
Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.
There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.
With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.
Connect with Mt. Kili on | Spotify
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