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Brooke Josephson Delivers Via New EP

Despite facing a ton of competition from across the underground, I think it would be fair to say that Brooke Josephson delivers one of the most cathartic records of the season in her all-new “Live & Let Live” EP.

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Steeped in positive vibes that transcend lyrics to penetrate both the sonic and melodic realms of every composition it contains, “Live & Let Live” is hardly your standard alternative pop record. In six truly telling songs, Josephson drives home a consistent narrative, reminding listeners that retrospection doesn’t have to mean regret at all. It’s exactly the kind of EP indie pop fans needed this season, and easily one of my personal favorites.

The instrumental parts are as pivotal to the mood of the music as any of the verses are in the progressive “Good Kind of Tired” and sublimely smooth-moving “Burning Journals.” Thanks to the crisp audio quality featured throughout the tracklist, there’s never a moment in which any of the string tonality winds up sacrificed in the name of pop polish, which is always a plus in my book. If Josephson’s ultimate goal was to allow us to feel this material as much as we hear it, saying she offers us a winner in this record might be just a little too much of an understatement.

There’s no bassline overindulgence to behold in this EP, and that’s a pretty big deal when taking into account just how common an issue that’s been in new rock records this year. The Athens-influenced “Eye in the Sky,” “No for an Answer” and the aforementioned “Burning Journals” are excellent examples of clean-cut equalization free of the excesses that frequently plague indie pop numbers, and although it’s not the heaviest EP you’ll hear this season, “Live & Let Live” scarcely sounds anything less than meaty.

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You don’t have to be a professional critic like myself to acknowledge how awesome “Burning Journals,” “All We Never Had” and “No for an Answer” would be in a live setting. There’s so much potential still on the table for Brooke Josephson to tap into in future endeavors, but by and large, she produces an extended play here that gives us a wonderful insight into what she can accomplish when there’s nothing present to stifle her creativity. ‘Live & Let Live” feels more like an LP than it ever does a mixtape, and in its class of records, that’s half the battle.

If you need an uplifting melodicism skewed with honest roots rock compositional wit, Josephson’s “Live & Let Live” is an EP that you’ll want to check out before the year ends. Brooke Josephson is on fire from the opening cut “Good Kind of Tired” through to the closing number in “Eye in the Sky,” and while she’s a relatively new face to mainstream listeners, it’s obvious that she’s bringing a lot of industry experience into the studio here. I love what I’ve heard so far, and in the next few years, I think we’re going to see even more intriguing content from this brilliantly talented singer/songwriter.

Brent Musgrave

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Artist Spotlight

Anacy blends Afrobeats and Amapiano into a powerful anthem of freedom with “Khulula”

Anacy

Anacy’s “Khulula” captures this transition phase by fusing Afrobeats and amapiano elements to convey feelings of exasperation, emotional exhaustion, and the yearning for change in a spirited musical journey. The track is a reflection of the moment when somebody decides to step away from old patterns, to make room for new energy, new connections, and a new perspective.

“Khulula” was born out of the feeling of being cut off from the familiar and being tired of being let down again and again. It has the emotional weight of a person about to break free. Thus, the song is about moving on but also about being open to the unexpected episodes that can create adrenaline and emotional charge. It captures the difficult space between letting go and moving into the unknown but exciting.

The production is a blend of warm grooves and a modern feel, so the song is good for listening to by itself or at parties. Anacy’s assured artistry combines storytelling and addictive rhythms to produce a song that reminds you of your own moments of transformation. Anacy from Cape Town, South Africa, is one of the new breed of independent artists bringing a fresh perspective to the music industry. And “Khulula” celebrates the power of change, of self-discovery, of emotional freedom, and of an artist connected to melody, culture, and the sound of today.

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Artist Spotlight

Vanna Pacella delivers a journey through identity and emotion with “Plead”

Vanna Pacella

Vanna Pacella’s latest single, “Plead,” is a compelling alternative rock song that delivers an outpouring of emotional force and explores the seriousness of self-awareness, emotional exhaustion, and the quest for authenticity. The song is based on a deeply personal creative vision and strikes a nice balance of openness and strength that makes for an intimate and expansive listening experience at the same time.

Pacella is known for her fearless approach to songwriting, and she takes full creative control of the track, writing, producing, recording, and mixing the release herself. The complete artistic immersion gives “Plead” a strong identity, with each element of the production mirroring the emotional mood that is at the core of the song.

The production creates a space where the powerful elements of alternative rock come together with an ethereal atmosphere. Her performance represents the struggle of being able to balance personal issues while being true to oneself, which makes the song relatable to those who like raw and emotional music. “Plead” shows Vanna Pacella’s artistic growth and her ability to turn private experiences into a fun trip. “Plead” is a raw, emotional song with production and a commanding artistic direction. It’s a reminder of the power of authentic songwriting and Pacella’s status as an emerging voice in the alternative rock scene.

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