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Album Review

“Once Upon a Time” by Universal Dice

I hope that Universal Dice’s new album release Misfit Memoirs reaches the largest possible audience. The first two singles from the release, “Curse” and the latest song, “Once Upon a Time”, offer evidence that the Gerry Dantone-led project has reached a new peak. “Once Upon a Time” continues developing the band’s songwriting wont for story-focused art that lacks pretentiousness or self-indulgence. The band’s work thus far is a reassuring reminder that ambitious rock works are still out there and deserve maximum exposure. His ability to realize such ambitions without ever descending into unnecessary pomp sets the band’s work even further away from the status quo. 

It isn’t an easy balance to maintain. Rock music, reaching back decades, is rife with examples of ham-fisted marriages between ambition and accessibility. Songwriters guilty of overreach have drug potentially great works down with overwrought tendencies. Gerry Dantone’s songwriting avoids such pitfalls. “Once Upon a Time” has an intimate climate. It gives individual listeners the impression that Universal Dice is performing for them alone. The development of the songwriting reinforces this. 

Dantone wisely employs a first-person point of view for the lyrics. It gives “Once Upon a Time” storytelling attributes that prod listeners to hang with every word. He sketches out the details with broad strokes focused on significant details rather than weighing down the writing with needless adornments. It is impossible to say for sure without knowing more, but the single comes across as if the words and music came together. I think Dantone began the process with a clear idea of what he wanted the song to say. 

It is a certainty that makes the listening experience such a pleasure. There’s surefooted confidence present in each second of this four-minute-long track. However, it isn’t ever strident, and the mid-tempo unfolding of the performance has a calm and considered demeanor. This prevailing mood drew me deeper into its storytelling web. It inspired faith in Dantone’s artistry from the start, and he never gave me a reason to reconsider. 

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The lyrical brevity underlines the aforementioned certainty. Dantone doesn’t waste a single word in the writing of this track, and his word choices do not disappoint. “Once Upon a Time” pulls no punches. It fleshes out an unforgiving world that Dantone’s sensitive vocal tempers with its thoughtfulness. We experience the emotions present in the song’s words rather than consuming them on a strictly intellectual level. 

One of the hallmarks of Universal Dice’s work is the striking balance it maintains between the mental and physical. Dantone and his bandmates have made a name for themselves serving up stimulating musical landscapes capable of moving or entertaining their audience. The lyrical content and concepts are icing on an especially delectable cake. Intelligence and depth distinguish each new outing, and “Once Upon a Time” is no exception. It’s more evidence, if needed, that Universal Dice’s new album Misfit Memoirs will likely rank as their finest collection. We’re lucky to have such meaningful music in times like this, and I hope there’s more to come. 

 

Stacey Winter  

 

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses is warmer, whereas Aptøsrs’ “Questionnaires is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

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The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Album Review

Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)

Mt. Kili

Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal. 

Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.

There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.

With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.

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