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Album Review

“Milky Way Rising” by Hourstone

When it comes to making pop music that isn’t all about the tired stereotypes that have driven so many of its most ardent supporters away from the genre, few do it better than Hourstone does. The solo artist and frequent indie collaborator has been cutting some magnetic music in the last few years, and in his most recent effort “Milky Way Rising” featuring none other than the talented Amanda Kang, he arguably goes bigger than ever. Conceptually speaking, Hourstone is determined to expand on a fluid style of arranging introduced to us in previous releases by incorporating additional elements of instrumentation into the fabric of his sound, rendering what can only be described as a new strain of techno-inspired pop that is as rooted in balladry as it is an old school club beats. 

With Kang by his side to emotionally colorize the lyrics in the song, this player tears through the rhythm of the track with a swagger that is unlike anything we’ve heard from him before, proving himself to be one of the most confident and charismatic performers of his currently-exploding scene along the way.

Produced with exquisite attention to detail, Hourstone ensures that every intricate facet within the tonality of the music is given VIP treatment behind the soundboard in the song. Every part of the mix is contributing to the larger narrative in “Milky Way Rising,” starting with the soothing radiance of the synth-born melody chasing the bassline in the background. 

 

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It helps to keep the intensity in Amanda Kang’s sensuous lyrics firing on all cylinders by breaking down some of the ominousness in the beats, but moreover, it adds a layer of melancholic undertow to the mood in the verses that wouldn’t be there otherwise. When Kang takes over the epicenter of the groove, the bass is toned down a bit, and the space that it leaves behind in the master mix is quickly filled by an exotic serenade which is as much of a reason to pick up “Milky Way Rising” as Hourstone’s definitively clever arranging is.

If you’ve yet to hear the music of Hourstone, this single is an optimal way to familiarize yourself with his skill set and the enthralling charm that he tends to unleash in every track that he shares with the public. I’ve been keeping a close eye on his career for a minute now, and I must say that, while I was expecting a lot out of this song, I never anticipated being as enamored by the highly stylized cosmetics of either as I was. The concept for “Milky Way Rising” is, much like the single itself, a kaleidoscopic effort from all angles that focuses on the might of its melody more than anything else. Neither Hourstone nor Amada Kang have submitted anything of a subpar quality to the fans to date, and with “Milky Way Rising,” this pair takes an evolving sound to a level of engagement that I cannot wait to hear a lot more of shortly.

Bethany Page

 

 

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Album Review

Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]

Brynja Rán

It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.

The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.

The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.

The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.

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Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.

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Album Review

Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]

Legends of the Seven Golden Vampires

Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.

The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.

“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.

It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.

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