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Album Review

“Milky Way Rising” by Hourstone

When it comes to making pop music that isn’t all about the tired stereotypes that have driven so many of its most ardent supporters away from the genre, few do it better than Hourstone does. The solo artist and frequent indie collaborator has been cutting some magnetic music in the last few years, and in his most recent effort “Milky Way Rising” featuring none other than the talented Amanda Kang, he arguably goes bigger than ever. Conceptually speaking, Hourstone is determined to expand on a fluid style of arranging introduced to us in previous releases by incorporating additional elements of instrumentation into the fabric of his sound, rendering what can only be described as a new strain of techno-inspired pop that is as rooted in balladry as it is an old school club beats. 

With Kang by his side to emotionally colorize the lyrics in the song, this player tears through the rhythm of the track with a swagger that is unlike anything we’ve heard from him before, proving himself to be one of the most confident and charismatic performers of his currently-exploding scene along the way.

Produced with exquisite attention to detail, Hourstone ensures that every intricate facet within the tonality of the music is given VIP treatment behind the soundboard in the song. Every part of the mix is contributing to the larger narrative in “Milky Way Rising,” starting with the soothing radiance of the synth-born melody chasing the bassline in the background. 

 

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It helps to keep the intensity in Amanda Kang’s sensuous lyrics firing on all cylinders by breaking down some of the ominousness in the beats, but moreover, it adds a layer of melancholic undertow to the mood in the verses that wouldn’t be there otherwise. When Kang takes over the epicenter of the groove, the bass is toned down a bit, and the space that it leaves behind in the master mix is quickly filled by an exotic serenade which is as much of a reason to pick up “Milky Way Rising” as Hourstone’s definitively clever arranging is.

If you’ve yet to hear the music of Hourstone, this single is an optimal way to familiarize yourself with his skill set and the enthralling charm that he tends to unleash in every track that he shares with the public. I’ve been keeping a close eye on his career for a minute now, and I must say that, while I was expecting a lot out of this song, I never anticipated being as enamored by the highly stylized cosmetics of either as I was. The concept for “Milky Way Rising” is, much like the single itself, a kaleidoscopic effort from all angles that focuses on the might of its melody more than anything else. Neither Hourstone nor Amada Kang have submitted anything of a subpar quality to the fans to date, and with “Milky Way Rising,” this pair takes an evolving sound to a level of engagement that I cannot wait to hear a lot more of shortly.

Bethany Page

 

 

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses is warmer, whereas Aptøsrs’ “Questionnaires is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

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The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Album Review

Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)

Mt. Kili

Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal. 

Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.

There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.

With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.

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