Album Review
“Milky Way Rising” by Hourstone
When it comes to making pop music that isn’t all about the tired stereotypes that have driven so many of its most ardent supporters away from the genre, few do it better than Hourstone does. The solo artist and frequent indie collaborator has been cutting some magnetic music in the last few years, and in his most recent effort “Milky Way Rising” featuring none other than the talented Amanda Kang, he arguably goes bigger than ever. Conceptually speaking, Hourstone is determined to expand on a fluid style of arranging introduced to us in previous releases by incorporating additional elements of instrumentation into the fabric of his sound, rendering what can only be described as a new strain of techno-inspired pop that is as rooted in balladry as it is an old school club beats.
With Kang by his side to emotionally colorize the lyrics in the song, this player tears through the rhythm of the track with a swagger that is unlike anything we’ve heard from him before, proving himself to be one of the most confident and charismatic performers of his currently-exploding scene along the way.
Produced with exquisite attention to detail, Hourstone ensures that every intricate facet within the tonality of the music is given VIP treatment behind the soundboard in the song. Every part of the mix is contributing to the larger narrative in “Milky Way Rising,” starting with the soothing radiance of the synth-born melody chasing the bassline in the background.
It helps to keep the intensity in Amanda Kang’s sensuous lyrics firing on all cylinders by breaking down some of the ominousness in the beats, but moreover, it adds a layer of melancholic undertow to the mood in the verses that wouldn’t be there otherwise. When Kang takes over the epicenter of the groove, the bass is toned down a bit, and the space that it leaves behind in the master mix is quickly filled by an exotic serenade which is as much of a reason to pick up “Milky Way Rising” as Hourstone’s definitively clever arranging is.
If you’ve yet to hear the music of Hourstone, this single is an optimal way to familiarize yourself with his skill set and the enthralling charm that he tends to unleash in every track that he shares with the public. I’ve been keeping a close eye on his career for a minute now, and I must say that, while I was expecting a lot out of this song, I never anticipated being as enamored by the highly stylized cosmetics of either as I was. The concept for “Milky Way Rising” is, much like the single itself, a kaleidoscopic effort from all angles that focuses on the might of its melody more than anything else. Neither Hourstone nor Amada Kang have submitted anything of a subpar quality to the fans to date, and with “Milky Way Rising,” this pair takes an evolving sound to a level of engagement that I cannot wait to hear a lot more of shortly.
Bethany Page
Album Review
With “The Rhythm of Mandolay” album, Eye Travel finds beauty in the space between memory, melodies, and moments
With “The Rhythm of Mandolay,” Gothenburg singer-songwriter Christoffer Andersson, known from his musical project Eye Travel, reveals a deeply personal world. It is an 11-track album forged in time, reflection, and creative discovery and a crossroads between past and present.
The project was recorded with Charles Storm at the Cloudchamber studio on the island of Hisingen, and it turns individual songs into a linked collection where raw emotion, acoustic beauty, and vintage influences coexist. The album kicks off with “Holly,” a dramatic opener built on an Omnichord foundation and expressive vocals that have a theatrical quality. Next up is “Birdsong,” a more delicate affair with breezy melodies that recall the charms of 90’s pop.
For “Verona,” Eye Travel strips everything back and creates an intimate acoustic moment that captures feelings of distance and quiet longing. “Going Under” takes a different direction, using heavy Moog bass and lush string and flute arrangements to create a boisterous, vintage-inspired sound with lots of movement. Meanwhile, “This Planet” takes a bright, catchy pop approach that brings a playful energy, and “Beech Street” is a warm, reflective acoustic folk-pop memory trip.
“Castle” slows the pace to a gentle European folk feel, establishing an intimate, personal atmosphere. “Scientia” is a nicely placed instrumental lullaby that helps the album flow, and “Surface” is a quick but poignant glimpse of a fleeting feeling. “Pauline” is one of the album’s most powerful moments, a grand, emotional performance that captures its drama.
The last song on the album, “Comforting Hell,” leaves a bittersweet taste, exploring the tricky places where sadness and comfort can coexist. “The Rhythm of Mandolay” is an album carefully constructed on the rhythm of contrast. Eye Travel delivers a timeless record that is so very human, drawing on vintage influences, acoustic storytelling, and emotional honesty.
Connect – FB
Album Review
CMD.EXE unveils “Red Giant Protocol,” a bold journey through machine consciousness and cosmic evolution
Electronic music has always been a playground for imagination, but “Red Giant Protocol” takes that to another level. The 14-track synthwave experience from CMD.EXE is a journey through fading stars, awakening machines, and the unknown future of intelligence.
This album is about creating an ever-expanding universe where artificial consciousness is on the rise and humanity questions its own role in a shifting universe. It starts with “Consciousness in the Void,” a lonely signal in the silence, then “Signal Burst” heightens the tension with a surge of energy and purpose. “Beautiful Prison” is about the concealed pleasure of control, while “E.V.A.01” is the first evidence of self-awareness in an artificial mind.
The next track, “Madame E.V.A.,” also appears intelligent, mysterious, and almost alive, not just programmed. “Ghost Process” goes a step further, suggesting that awareness can survive the loss of its original system, and this is one of the album’s most thought-provoking moments. The middle of the record, moving through “Binary System” and “Accretion Disk,” reaches for the stars, using cosmic events as metaphors for attraction, dependence, and inevitable change.
The emotional center of the album is the title track, “Red Giant Protocol,” a description of the point of no return, when change can no longer be halted. “Mors Machina” presents a bleak portrait of death trapped in a luminous digital realm, and “Thanatophobia” takes you inside for a direct and visceral confrontation with the fear of dying.
The last movement takes the album’s vision beyond the individual, as “Type III Civilization” is about an intelligence capable of manipulating a galaxy. followed by “We Are All Mother,” a track about giving up your individual identity for something bigger. CMD.EXE closes with “Organum Spatii Sacri,” leaving you with a finale that makes the emptiness of space something almost sacred. “Red Giant Protocol” is an immersive concept record that invites people to reflect on technology, existence, and what comes after people.
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