Album Review
“Once Upon a Time” by Universal Dice
I hope that Universal Dice’s new album release Misfit Memoirs reaches the largest possible audience. The first two singles from the release, “Curse” and the latest song, “Once Upon a Time”, offer evidence that the Gerry Dantone-led project has reached a new peak. “Once Upon a Time” continues developing the band’s songwriting wont for story-focused art that lacks pretentiousness or self-indulgence. The band’s work thus far is a reassuring reminder that ambitious rock works are still out there and deserve maximum exposure. His ability to realize such ambitions without ever descending into unnecessary pomp sets the band’s work even further away from the status quo.
It isn’t an easy balance to maintain. Rock music, reaching back decades, is rife with examples of ham-fisted marriages between ambition and accessibility. Songwriters guilty of overreach have drug potentially great works down with overwrought tendencies. Gerry Dantone’s songwriting avoids such pitfalls. “Once Upon a Time” has an intimate climate. It gives individual listeners the impression that Universal Dice is performing for them alone. The development of the songwriting reinforces this.
Dantone wisely employs a first-person point of view for the lyrics. It gives “Once Upon a Time” storytelling attributes that prod listeners to hang with every word. He sketches out the details with broad strokes focused on significant details rather than weighing down the writing with needless adornments. It is impossible to say for sure without knowing more, but the single comes across as if the words and music came together. I think Dantone began the process with a clear idea of what he wanted the song to say.
It is a certainty that makes the listening experience such a pleasure. There’s surefooted confidence present in each second of this four-minute-long track. However, it isn’t ever strident, and the mid-tempo unfolding of the performance has a calm and considered demeanor. This prevailing mood drew me deeper into its storytelling web. It inspired faith in Dantone’s artistry from the start, and he never gave me a reason to reconsider.
The lyrical brevity underlines the aforementioned certainty. Dantone doesn’t waste a single word in the writing of this track, and his word choices do not disappoint. “Once Upon a Time” pulls no punches. It fleshes out an unforgiving world that Dantone’s sensitive vocal tempers with its thoughtfulness. We experience the emotions present in the song’s words rather than consuming them on a strictly intellectual level.
One of the hallmarks of Universal Dice’s work is the striking balance it maintains between the mental and physical. Dantone and his bandmates have made a name for themselves serving up stimulating musical landscapes capable of moving or entertaining their audience. The lyrical content and concepts are icing on an especially delectable cake. Intelligence and depth distinguish each new outing, and “Once Upon a Time” is no exception. It’s more evidence, if needed, that Universal Dice’s new album Misfit Memoirs will likely rank as their finest collection. We’re lucky to have such meaningful music in times like this, and I hope there’s more to come.
Stacey Winter
Album Review
R3b3l I explores self-discovery through sound on “A Different Frequency” album
In a music scene often ruled by lyrics, R3b3l I proves that you can tell a powerful story without a single lyric. “A Different Frequency” is a twelve-track instrumental hip-hop and rap-inspired album inviting you into a deeply personal journey of growth, self-discovery, and purpose, speaking its message purely through mood, rhythm, and expression.
“Dance Before the Throne” opens the album, immediately establishing the tone of reflection and reverence. From here, “Elevate” and “The Wave” continue, adding momentum and a sense of movement and change. Each piece is a chapter in a larger story, allowing you to interpret the music with your own experience.
Songs like “I AM Power,” “Level Up,” and “Awaken” seem to be a big part of the progression of the album. The energy is one of empowerment and inner evolution. “The Jazzy Hop” is a nice change of pace in style, with a smooth, groove-flavored taste that shows R3b3l I’s versatility. Meanwhile, “Carousel,” “Raindrops,” and “Heartbeat” are moments of introspection that balance uplifting themes with emotional depth and openness.
The project wraps up on an emotional high with “Ancestors,” a heartfelt tribute to the forebears and the invisible forces that still influence us on our journeys. It’s a fitting way to close out an album about connection, growth, and purpose. “A Different Frequency” is more than a collection of tracks with carefully constructed instrumentals and thoughtful sequencing, and it’s a rewarding journey for those who want immersive instrumental hip-hop with heart, imagination, and substance.
Album Review
Cashus King & Big O deliver a 14-track journey of growth with “Water to Wine” album
Hip hop duo Cashus King and Big O release their new concept album “Water to Wine,” which is about transformation, faith, and purpose. The album is inspired by the miracle at Cana in the Book of John, where water is the raw human potential, and wine is the final stage of growth, formed by pressure, time, and belief.
The opening track, “Barry Water,” sets out the theme of origin and unspoiled energy, while “LikWid (Big Fish)” dives into the depths of identity and survival. “Precipitation” is a change under pressure, and “Cherry Cola” is a reflection that balances life’s sweetness with reality. “Streams” has an emotional flow and direction, and “Drownin’” has a weight of struggle and internal conflict.
“Hydration (Reign)” provides strength and renewal, then “Drippin (Soakin Poems)” shows creativity flowing through lived experience. “Potions” addresses transformation as self-crafting, and “Swimmin’” addresses endurance in the face of adversity. “Holy Water” gives a feeling of cleansing and Spiritual introspection, while “Like Lava for Water” balances heat, pressure, and transformation in movement.
The final part of the album, “Dark Agua,” continues the story with an exploration of self-awareness in the shadows, and “Wine” closes out the album as the pinnacle of transformation. The album includes guest appearances from Blu, Fashawn, L.O.U., P-Rawb, Big Tone, G-HOLY, Frannie EL, and Shari and is a body of work about becoming who you were always meant to be.
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