Album Review
POST DEATH SOUNDTRACK stirs a sonic odyssey with its new album, “Veil Lifter”
Audiences should prepare to be engulfed by a tempest of emotion and unfiltered darkness as POST DEATH SOUNDTRACK unveils their fourth full-length album, “Veil Lifter.” This release marks a bold departure into uncharted territory for Jon Ireson and Stephen Moore, embracing a visceral live sound influenced by the doom grunge pioneers with hypnotic grooves and sludgy riffs.
Musically, “Veil Lifter” captures turmoil and triumph, blending heavy music metaphor, dream language, and introspective lyricism to create an emotionally charged and cathartic soundscape. Drawing inspiration from philosophical luminaries like Krishnamurti, Zen teachings, and the Bhagavad Gita, the album echoes the influences of Alice in Chains, Black Sabbath, Nirvana, and The Stooges while also nodding to modern heavyweights like Russian Circles and Queens of the Stone Age.
The album “Veil Lifter” consists of 11 tracks that delve into themes of isolation, depression, addiction, chaos, and the resilience of the human psyche. It offers an honest exploration of these subjects, written from a place of deep darkness. The album is dedicated to the memory of Jon Ireson’s late father, Ted George Moore, capturing the unwelcome outsider mentality with a relentless charge. Each track takes the listener on an adventure through dark emotions, from the catchy rhythms of the opening track “At The Edge Of It All” to the evocative “The Die is Cast” and the haunting “Killer Of The Doubt.” The fourth track, “Icy Underground,” and the fifth track, “Arjuna’s Hunting Hand,” deepen the sonic adventure. In contrast, “Lowdown Animal,” the sixth track, embodies the menacing spirit of a pack of hyenas.
“Veil Lifter” is a thought-provoking and spiritually profound album that delves into the theme of mental illness and the hidden aspects of the human psyche. Inspired by Eastern philosophies and shamanic visions, the album’s ninth track, “Pin Prick,” brings a visceral edge to the collection, while “Immovable” and the poignant finale, “Hammer Come Down,” create a lasting impact. POST DEATH SOUNDTRACK’s “Veil Lifter” is a compelling blend of classical rock fusion and introspective charm, featuring shimmering melodies and dark landscapes. This album is essential for those looking for an immersive and introspective musical experience.
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Kelsie Kimberlin drops her spellbinding debut EP, “The Drawer”
Discover the emotions and stories within each drawer waiting to be unlocked as renowned pop rising star and multifaceted artistry Kelsie Kimberlin unveils her eagerly awaited debut EP, “The Drawer,” under the prestigious Symphonic Music Group. This captivating 8-track masterpiece is a sonic odyssey through the intimate drawers of Kimberlin’s profound life’s myriad emotions and experiences, revealing universal stories of love, loss, resilience, and self-discovery.
Opening with the eponymous track, “The Drawer,” Kimberlin dives into the tumultuous saga of a relationship marked by passion and ultimate disillusionment, setting a powerful tone for the journey ahead. Following closely, “Meet Me Anywhere” offers a poignant plea to the wandering heart of a friend to recognize the love right next door, blending hope with a touch of melancholy that resonates deeply.
The haunting allure of EP’s beautiful third track, “Fatal Attraction,” takes listeners into the darker realms of intoxicating love, where danger and desire intertwine, capturing the fragile balance between ecstasy and heartbreak. With rock-infused intensity, it underscores the combustive potential of such a dangerously passionate relationship. In “Twinkle,” Kimberlin celebrates the courage, bravery, and identity of transgender youth, inspired by the story of a 12-year-old girl named Dempsey Jara, making a bold statement in support of inclusivity and respect.
The year-round longing in “January Through December” speaks to the perennial quest for deeper connection within a relationship, recognizing the joy found in everyday moments, while the vibrant “Parking Lot” spices up the EP with a mesmerizing Afro/Latin rhythms that transports audiences to the lively streets of Cartagena, Colombia. “Summertime’s Gone” tugs at the heartstrings with the bittersweet portrayal of fleeting summer love, leaving an indelible mark on the heart.
The EP culminates with “Recovery,” a deeply personal reflection on the impacts of youthful mistakes, internal struggles, and redemption. It serves as a sincere apology and a grateful acknowledgment to those who supported Kimberlin. Meticulously crafted and brimming with emotional authenticity, “The Drawer” showcases unique and introspective lyricism that transcends genres, inviting listeners on a sonic journey through shimmering melodies with universal appeal. Each track delves into the essence of the human experience, offering a glimpse into Kimberlin’s artistic prowess and making “The Drawer” EP a captivating listen for pop enthusiasts and those seeking a more profound musical connection.
For more information about Kelsie Kimberlin, please visit [website].
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Album Review
California King unveils its new rock album with “The Last Lovers”
California King, a Brooklyn-based band, has recently launched their new album, “The Last Lovers,” which features 10 tracks that defy genre boundaries. The group, deeply influenced by the Brooklyn Rock scene, has established itself as a critical figure in the Black Rock movement by blending rock, soul, and Afro-Punk elements to create a unique musical fusion.
“The Last Lovers” was recorded at a studio in Flatbush, Brooklyn, and is the brainchild of Mike Mills, the vocalist, guitarist, writer, producer, recording engineer, and album mixer. The album explores the theme of love in various forms, from lost to found, spanning from the energetic rhythms of the opening track, “The Last Lovers,” to the emotive anthem “Something Human” and the haunting “I Think I Like You,” showcasing California King’s emotional depth and artistic prowess.
The album’s lead single, “The Last Lovers,” was conceptualized during the pandemic, capturing the essence of individuals coming together against societal challenges. This track sets the tone for the album as a celebration of unwavering love during difficult times. Notable tracks include “My Desert Heart,” a poignant reflection on yearning, and “Mandala,” an ode to the complex dynamics of love and desire. The album concludes with “Roses,” an advanced single embodying the perseverance required for nurturing enduring relationships.
California King, consisting of Mike Mills, Howard Alper on drums, Ernest G. D’Amaso on bass and backing vocals, and Asim Barnes on guitar, brings their diverse influences to life, drawing inspiration from the likes of Howling Wolf, Jimi Hendrix, and The Black Keys. Their previous performances at prestigious venues such as the Brooklyn Academy of Music, The Whitney Museum, and Afro-Punk events have solidified their image as a vibrant group with a distinct, fiercely DIY ethos.
“The Last Lovers” is a valuable addition to any music collection, offering an essential listen for enthusiasts seeking introspective charm combined with rock and soul swagger. Each track invites listeners into a rich soundscape of shimmering melodies and evocative whispers, culminating in a profoundly immersive sonic experience.
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