Album Review
POST DEATH SOUNDTRACK stirs a sonic odyssey with its new album, “Veil Lifter”
Audiences should prepare to be engulfed by a tempest of emotion and unfiltered darkness as POST DEATH SOUNDTRACK unveils their fourth full-length album, “Veil Lifter.” This release marks a bold departure into uncharted territory for Jon Ireson and Stephen Moore, embracing a visceral live sound influenced by the doom grunge pioneers with hypnotic grooves and sludgy riffs.
Musically, “Veil Lifter” captures turmoil and triumph, blending heavy music metaphor, dream language, and introspective lyricism to create an emotionally charged and cathartic soundscape. Drawing inspiration from philosophical luminaries like Krishnamurti, Zen teachings, and the Bhagavad Gita, the album echoes the influences of Alice in Chains, Black Sabbath, Nirvana, and The Stooges while also nodding to modern heavyweights like Russian Circles and Queens of the Stone Age.
The album “Veil Lifter” consists of 11 tracks that delve into themes of isolation, depression, addiction, chaos, and the resilience of the human psyche. It offers an honest exploration of these subjects, written from a place of deep darkness. The album is dedicated to the memory of Jon Ireson’s late father, Ted George Moore, capturing the unwelcome outsider mentality with a relentless charge. Each track takes the listener on an adventure through dark emotions, from the catchy rhythms of the opening track “At The Edge Of It All” to the evocative “The Die is Cast” and the haunting “Killer Of The Doubt.” The fourth track, “Icy Underground,” and the fifth track, “Arjuna’s Hunting Hand,” deepen the sonic adventure. In contrast, “Lowdown Animal,” the sixth track, embodies the menacing spirit of a pack of hyenas.
“Veil Lifter” is a thought-provoking and spiritually profound album that delves into the theme of mental illness and the hidden aspects of the human psyche. Inspired by Eastern philosophies and shamanic visions, the album’s ninth track, “Pin Prick,” brings a visceral edge to the collection, while “Immovable” and the poignant finale, “Hammer Come Down,” create a lasting impact. POST DEATH SOUNDTRACK’s “Veil Lifter” is a compelling blend of classical rock fusion and introspective charm, featuring shimmering melodies and dark landscapes. This album is essential for those looking for an immersive and introspective musical experience.
For more information about POST DEATH SOUNDTRACK, please visit [website].
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“Every Rain” by Luke Borchelt evokes a soulful tapestry of nostalgic life with introspective memories
Emerging singer-songwriter Luke Borchelt steps into the spotlight, making waves with his highly anticipated debut album, “Every Rain,” a heartfelt ode to life’s quiet moments, comprises a nine-track odyssey that bridges the intimate charm of the Chesapeake Bay roots with the universal resonance of timeless authenticity. This collection demonstrates Borchelt’s unique blend of country upbringing and modern soundscapes, creating nostalgically grounded and refreshingly innovative music.
Spanning just over 32 minutes, the album “Every Rain” is a masterful exploration of life’s imperfections, love’s intricacies, and the enduring impact of personal history. It begins with “Same Old Square,” Borchelt immerses listeners into a euphoric country classic drenched in youthful memory love, capturing the unassuming joy of revisiting familiar places with someone special, driven by heartfelt lyrics and strumming guitars and small-town life with his signature lyrical authenticity. The title track, “Every Rain,” follows with soulful yet melancholic undertones co-written with producer Warren Russell. This centerpiece delivers a vivid mosaic of imagery of life’s imperfections, malfunctioning trucks, and overgrown gutters, embracing the therapeutic warmth of resilience through life’s storms.
Subsequent tracks such as “Itchin’” and “Frostbit Hands“ further broaden the album’s emotional spectrum. The former ventures into unexplored realms with folk-pop soulfulness, while the latter is a modern acoustic classic work reflecting on lost friendships and the reconciliation of past errors with hopeful renewal in personal growth. “Victoria“ shifts the focus to a romantic-soaked ballad influenced by dreamy organ strums, catchy beats, and an uplifting soundscape to paint vivid snapshots of budding memories of romance, evoke late-night calls, and sweet red wine, rendering it an undeniable highlight of the album.
Borchelt’s artistic versatility is manifested in blending enchanting lyrical narrative with sonic sophistication shines in “Accent,” a nostalgic acoustic vibe co-written with Jordan Rager and Mark Irwin. Meanwhile, “Maryland Life“ and “Car Heat“ are poignant tributes to Borchelt’s upbringing and childhood memories, encapsulating his roots with soul-stirring melodies. The album concludes on a hauntingly beautiful note with “Orland, ME,” a heart-wrenching portrayal of heartbreak. Borchelt’s trembling vibrato leaves an indelible mark, lingering long after the final note fades.
Crafted meticulously, “Every Rain” constitutes an intimate adventure through Borchelt’s world. It traverses a landscape of memories characterized by shimmering melodies and genuine authenticity. Each track provides a glimpse into his creative vision, cementing his place as a compelling new voice in modern folk and soul. Luke Borchelt’s “Every Rain” promises to be a valuable addition to diverse musical playlists, appealing to listeners craving introspection and emotionally evocative depth. Don’t miss the chance to experience this profoundly remarkable debut.
CLICK HERE TO STREAM Luke Borchelt’s Album “Every Rain“ on Spotify.
Album Review
“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories
Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
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