Album Review

POST DEATH SOUNDTRACK stirs a sonic odyssey with its new album, “Veil Lifter”

Audiences should prepare to be engulfed by a tempest of emotion and unfiltered darkness as POST DEATH SOUNDTRACK unveils their fourth full-length album, “Veil Lifter.” This release marks a bold departure into uncharted territory for Jon Ireson and Stephen Moore, embracing a visceral live sound influenced by the doom grunge pioneers with hypnotic grooves and sludgy riffs.

Musically, “Veil Lifter” captures turmoil and triumph, blending heavy music metaphor, dream language, and introspective lyricism to create an emotionally charged and cathartic soundscape. Drawing inspiration from philosophical luminaries like Krishnamurti, Zen teachings, and the Bhagavad Gita, the album echoes the influences of Alice in Chains, Black Sabbath, Nirvana, and The Stooges while also nodding to modern heavyweights like Russian Circles and Queens of the Stone Age.

The album “Veil Lifter” consists of 11 tracks that delve into themes of isolation, depression, addiction, chaos, and the resilience of the human psyche. It offers an honest exploration of these subjects, written from a place of deep darkness. The album is dedicated to the memory of Jon Ireson’s late father, Ted George Moore, capturing the unwelcome outsider mentality with a relentless charge. Each track takes the listener on an adventure through dark emotions, from the catchy rhythms of the opening track “At The Edge Of It All” to the evocative “The Die is Cast” and the haunting “Killer Of The Doubt.” The fourth track, “Icy Underground,” and the fifth track, “Arjuna’s Hunting Hand,” deepen the sonic adventure. In contrast, “Lowdown Animal,” the sixth track, embodies the menacing spirit of a pack of hyenas.

“Veil Lifter” is a thought-provoking and spiritually profound album that delves into the theme of mental illness and the hidden aspects of the human psyche. Inspired by Eastern philosophies and shamanic visions, the album’s ninth track, “Pin Prick,” brings a visceral edge to the collection, while “Immovable” and the poignant finale, “Hammer Come Down,” create a lasting impact. POST DEATH SOUNDTRACK’s “Veil Lifter” is a compelling blend of classical rock fusion and introspective charm, featuring shimmering melodies and dark landscapes. This album is essential for those looking for an immersive and introspective musical experience.

For more information about POST DEATH SOUNDTRACK, please visit [website].
CLICK HERE TO STREAM POST DEATH SOUNDTRACK’s Album “Veil Lifter“ on Spotify.
CONNECT WITH POST DEATH SOUNDTRACK | Instagram | Twitter | Facebook |

Tweet LinkedIn PinShares0

Up Next

Taste of Dream released a remarkable track, “Catch Me When I Fall”

Don't Miss

Thief Motif’s “Torn” – A Sonic Tapestry of Raw Emotion and Captivating Melodies

Honk Magazine

Album Review

Dian Sheng explores identity, life and love with “Sid” album

Dian Sheng releases his long-awaited first English-language album, “Sid,” a genre-defying collection of songs that includes pop, rock, electronic, and jazz. “Sid” is a deep, meditative exploration of identity, relationships, and self-growth, spanning 29 minutes and 12 seconds across eight tracks. This album is a personal exploration of the complex emotions of mankind and the vitality and jubilation of life.

From the opening track, “Right Now,” Dian Sheng establishes a sense of urgency and reflection. The upbeat song “I Come From Far” examines the connection between the self and one’s environment. It has joyful beats and layers that make you think and feel like part of the narrative.

The jazz ballad “Undecided Love” delves into the complexities of modern romance, featuring tender vocals and instrumentation that showcase Sheng’s delicate touch as a songwriter. “It Will Be Alright” is an empowering anthem about overcoming life’s biggest obstacles, combining electronic beats with a rock influence.

“Seventeen” is bursting with youthful energy, and its production captures the restlessness and emotionality of adolescent life. Two introspective songs with similar atmospheres, “The Way Before” and “This Life,” match chilling melodies with moving lyrics that touch on bygone relationships, self-awareness, and the quest for meaning we all experience.

The album concludes with “Shining As Your Name,” and the final few minutes of this piece alone evoke a strong sense of hope. Dian Sheng demonstrates his ability to join emotional depth with new styles. “Sid” is an invitation into the rich musical universe of Dian Sheng, where you can both consider yourself and feel influenced.

Written by:

Faith Koch

Tweet LinkedIn PinShares0

Album Review

Ty Wilson delivers grit and heart on new country album “Northern Heart, Southern Soul”

Ty Wilson’s “Northern Heart, Southern Soul” arrives like a long stretch of open highway at sunset as an honest, contemplative, and strategic ballad. Wilson’s eight-song LP marks the end of a project that melds his Canadian roots with the time-tested sounds of Southern country and Americana.

To give the album its sound, Wilson enlisted Nashville-based producer and drummer Jay Tooke, who has worked with groups such as The Steel Woods, Randy Houser, and Wyatt Flores. Production and engineering were handled by Edgewater Music Group, which is based in Texas, and the result is a brief but potent album that embraces the Southern sound he cherishes while retaining Wilson’s unique storytelling.

Always wanting to release a full-length album, Wilson has accomplished that with “Northern Heart, Southern Soul,” and its tied-together story reflects themes of perseverance, love, and contemplation. “Chasin’ Headlights“ is dedicated to his fiancée, a rock that sustains him on his busy touring schedule. It captures the silent grit that accompanies a life on the road. The album’s second single, “Alabama Way,“ is an unabashed nod to the Southern influences on the album after Wilson’s Red Dirt-informed sound.

Filling out the emotional spectrum of this album are songs like “Good Thing Goin’” and “Missin’ the Boat,“ which indulge happy thoughts about romance and momentum, alongside deeper rumination on regret and fidelity in works like “Can’t Live Without Her.“ “Knew You Then,“ with Mason Keck, brings a reflective edge as it reminisces about relationships and the passage of time.

One of the best songs on the album is “Born to Lose,” and it’s a testament to the power of classic country storytelling. The power of hard times and perseverance underlies this song, which serves as a stirring reminder that some of the most poignant voices in populist music are born of struggle. The final song, “Glory, When I Win,” is equally good and provides a triumphant emotional payoff. The song really demonstrates how difficult it is for independent artists to break through. They have to cope with failure and keep going, hoping the next mile will be a winner.

“Northern Heart, Southern Soul” is a brief work at just 26 minutes and 40 seconds long, and it’s about keeping it real. It illustrates how a northern identity and southern influence can coexist, proving that exceptional country music has no geographical boundaries.