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Lil Wayne Sparks Controversy by Rapping Kendrick Lamar’s Lyrics While Flaunting Drake’s OVO Pendant

Lil Wayne

Lil Wayne and Drake’s long-standing friendship has always intrigued fans, particularly in the context of Drake’s viral feud with Kendrick Lamar. Recently, Wayne seemed to weigh in on the tension during a performance, sending the internet into a frenzy. In a circulating clip, the New Orleans rapper can be seen passionately delivering lines from Kendrick’s hit “Not Like Us” while proudly displaying his OVO owl pendant.

This moment has ignited a heated debate among fans, especially in DJ Akademiks’ comments section. Some argue that Wayne’s performance was a subtle dig at Kendrick, while others dismiss it as a mere coincidence. The debate centers around whether Wayne’s rendition of “Not Like Us” was intended as a diss, particularly since he integrated the lyrics into “The Motto,” a highly successful collaboration with Drake.

Adding fuel to the fire, there’s speculation that Wayne might have been saying “They don’t like us” instead of “They not like us,” though the clip is too ambiguous to confirm. Regardless, this incident has fans buzzing about a potential showdown between Wayne and Kendrick, splitting opinions on who would come out on top.

Interestingly, this isn’t the first time Wayne has shown his allegiance to Drake recently. Last month, he revealed his top five rappers in an interview, naming Drake, Jay-Z, Eminem, Missy Elliot, and The Notorious B.I.G., with Kendrick noticeably absent from the list.

What do you think about Lil Wayne rapping Kendrick Lamar’s lyrics onstage while holding up his OVO pendant? Was this a direct diss at Kendrick or just a misinterpreted performance? And who do you think would win in a lyrical battle between Wayne and Kendrick? Share your thoughts in the comments below, and stay tuned to Honk Magazine for more updates!

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Artist Spotlight

Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

Cali Tucker

Cali Tucker is back in the spotlight this season with “Santa Baby,” a beautifully made holiday EP that captures the heart, warmth, and timeless glow of Christmas classics. Cali is known for singing the National Anthem at NASCAR’s Pennzoil 400 in front of 80,000 fans and more than three million people at home. She brings the same powerful presence and emotional depth to this holiday project.

“Santa Baby” is a great holiday release for music lovers, bloggers, and new artist discovery sites. It has six tracks and lasts 20 minutes. It mixes nostalgia with Cali’s signature smooth vocals. Each song shows off her talent, but “O Holy Night” and “The Christmas Song” are two that stand out as favorites. Both performances show off her range, control, and ability to bring classic songs into modern emotional spaces without losing their original charm.

“O Holy Night” stands out as the EP’s spiritual center, with a glowing performance full of dynamics, warmth, and a cinematic stillness that draws people in. Cali gives the song both respect and a unique touch, breathing new life into a well-known hymn. “The Christmas Song,” on the other hand, makes you feel like you’re sitting next to a fire. It’s soft, heartfelt, and full of stories that make you feel nostalgic. Cali’s voice flows effortlessly through every note, making it impossible not to feel the magic of the season.

The whole EP flows easily and has a mix of fun sparkle, soulful warmth, and classic Christmas music. “Santa Baby” is the perfect song for the season, whether people are making holiday playlists, looking for new Christmas music, or discovering new vocal talents. This EP adds a new but familiar sound to today’s holiday music scene. It has a comforting feel and is easy to listen to repeatedly.

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Artist Spotlight

Kalpee Honors Heritage and Heart on His Emotion-Rich New EP Dougla Boi

Kalpee

Kalpee is back with Dougla Boi, a beautiful new EP that is both personal and powerful. It gives listeners a close look at the layers of identity, heritage, and emotion that make him who he is. The Trinidad and Tobago artist is confident in his own space, which is rooted in New Calypso and polished with hints of dancehall, R&B, and afrobeats. In this space, genre bends, but emotion leads.

Named after the Trinidadian word for someone of mixed African and Indian heritage, Dougla Boi is honest, proud, and warm about the complexities of culture. Kalpee opens a window into the dualities that define him across six tracks, turning personal truth into universal resonance. The EP is just under 19 minutes long, but every second is carefully planned to take listeners on a journey through courage, joy, healing, and the quiet strength that comes from accepting all parts of yourself.

The first single, “Under,” stands out right away for its calming yet emotionally charged experience. Kalpee’s voice flows over a beat that sounds both new and old, fitting the EP’s theme of bringing cultures together. It’s one of the best examples of how he can mix soft and hard sounds, which is what makes his New Calypso sound so unique.

“Everybody,” which features Full Blown, is another excellent song that has already done very well. It has a happy vibe and an infectious bounce, making it one of the EP’s most replayable songs. “Everybody” captures the spirit of community and shared experience, which is what Kalpee means when he says that identity is not a box but a rhythm.

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