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Artist Spotlight

GEORGE BELL Unveils “Blame It on the 90’s” Featuring Fatlip from The Pharcyde

GEORGE BELL released a new single, “Blame It on the 90’s,” featuring Fatlip from The Pharcyde. This song brings back the awesome vibes of 90’s hip-hop while adding a fresh twist that everyone can enjoy, whether you’re a long-time fan or new to the genre.

BELL and Fatlip made the song in a real studio, not just at home, so it has an excellent, polished sound that still feels authentic to the 90’s hip-hop era. The song is a fun way to remember and celebrate the music and culture of that time. With its catchy tunes and clever lyrics, the song captures the spirit of a particular time for many people.

There’s also a cool video for the song made by a talented artist named Elvis. This video adds a visual layer to the song’s nostalgic feel, so it’s not just a song but an all-around experience.

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BELL and Fatlip are working together on more music so that we can look forward to more awesome releases in the future. You can already find more of their collaborations on streaming platforms, and there’s another song coming out early next year. GEORGE BELL is on a path of growth and creativity in his music career.

Connect with GEORGE BELL: Instagram

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses is warmer, whereas Aptøsrs’ “Questionnaires is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

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The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

Connect with Aptøsrs on Website | X | Instagram | Facebook | Spotify |

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

Connect with LAST ALEX! on Spotify

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