Featured
Jeremy Parsons Delivers “Otherworldy” New Single “Tickin'”
A distinct western twang makes “Tickin’” a true trip showing off the deft skill of Jeremy Parsons in creating his own world. The heavy psychedelic elements alongside the sprawling approach gives it a surreal quality. His vocals have a steadfast aspect to them for the many elements that filter into the fray threaten to disrupt his lyricism. Yet he remains fully committed to the deliberate pace, proving to be the only constant in the ever-swirling series of atmospheres that rise up. Rhythms have a delicacy to them for they rise out of the sonic ether.
Opening up with a strictly minimal approach, him and the slide guitar start things out. From this tiny beginning he lets a whole series of genres into the fray. Beyond the obvious rock and country, pieces of electronica, industrial, and more find their own places. The way that the song tries to careen out of control adds to this tension. Word choice is impeccable. Usage of the sounds around the verses further adds to the mysterious aura that he conveys. Dry vocalizations help to give the song a hypnotic quality as the rest of the work descends into outright chaos. For the rest of the piece he makes sure that shards of melody pop throughout, and the rest of the piece gradually gets degraded into absolute nothingness for the final stretch.
“Tickin’” shows off Jeremy Parsons’ uncanny ability to deliver something that has an otherworldly presence about it.
–B.S.
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Artist Spotlight
Reese Weil released an EP, “Beatwave”
Reese Weil is a Bay Area musician who recently released an EP called “Beatwave.” This EP is a mix of hip-hop, rap, and rock that has been very popular among listeners. You can find it on all major streaming platforms.
The EP was released on February 14th, 2024, featuring other famous artists such as Nef the Pharaoh and Scando the Darklord. Each song on the EP is unique and showcases the talents of its collaborators. The EP is an excellent representation of the Bay Area’s music scene.
“Beatwave” is a great EP that has something for everyone. From catchy rhythms to meaningful lyrics, it will keep you entertained. Some of the best tracks on the EP are “Day Drinkin’,” “Night Ain’t Over,” and “Summer Love.” These songs showcase Reese Weil’s great melodies and guitar skills. Other tracks like “Wild Side” and “Airplanes” highlight the tremendous rap skills of Nef the Pharaoh and Scando the Darklord.
The EP is about 19 minutes long, and it’s a celebration of creativity and unity. It’s a great example of how different genres can come together to create something amazing. “Beatwave” will make waves in the music industry and establish Reese Weil as a great artist to watch out for.
Featured
Luanne Hunt Paints a Vivid Picture of Addiction on “The Vice”
Luanne Hunt’s “The Vice” is a hauntingly beautiful exploration of the highs and lows of a gambler’s life. With its rich imagery and introspective lyrics, the song captures the essence of addiction and the isolation that often comes with it.
Hunt’s vocals are the perfect vehicle for this emotional journey, delivering raw vulnerability and warmth with every line. Her voice is melodic and captivating, drawing the listener in and immersing them in the story of the protagonist.
The instrumentation of “The Vice” is minimalistic yet impactful. The piano and violin blend seamlessly to create a rich and textured sound, mirroring the emotional depth of the lyrics. There is a sense of intimacy in the arrangement, as if the listener is sitting in a quiet corner of a dimly lit lounge, enveloped by the melancholic strains of the music.
The lyrics depict the life of a seasoned gambler, referred to as the “king of clubs,” who thrives on the adrenaline rush of gambling. His life is a series of solitary journeys from one gambling haven to another, with the casinos of Vegas, Reno, and Jean being his mainstays. Despite his successes and the reputation that precedes him, the gambler experiences profound loneliness, hinted at by his solitary drinking habit and the mention of fleeting romantic encounters. The recurring refrain, “He’s in paradise with a pair of dice,” encapsulates the gambler’s dual existence in moments of ecstasy and isolation.
Through “The Vice,” Hunt masterfully explores the seductive and destructive nature of vices. She paints a vivid picture of a man consumed by his addiction, finding fleeting moments of euphoria in the midst of profound loneliness.
For those interested in exploring similar themes through music, Johnny Cash’s “A Boy Named Sue” and Kenny Rogers’ “The Gambler” offer nuanced takes on life’s gambles, both literal and metaphorical. In literature, Fyodor Dostoevsky’s “The Gambler” provides a profound psychological exploration of gambling addiction. Visually, the paintings of Paul Cézanne, particularly his card player series, capture the tension and concentration of gamblers in a different medium.
Overall, “The Vice” is a poignant and introspective piece that showcases Hunt’s talent as a songwriter and storyteller. With its relatable themes and haunting melody, this song is sure to resonate with listeners and leave a lasting impression.
–Toby Jenkins
