Artist Spotlight
LuvAndreas Turns Life’s Chaos Into Art With His Latest Single, “Found Myself”
His most recent single, “Found Myself,” is a pledge of self-discovery, ambition, and resilience. He wrote “Found Myself” during his first visit to Los Angeles, a city in which he had long dreamed of creating music. The track pulses with the energy of that realization, that moment when he was performing and truly saw himself as an artist, celebrating his evolution while leaping past his struggles as he battles to find his place.
LuvAndreas has made the streets of Boston his proving ground. Testing new tracks on unsuspecting passengers while driving Uber, his candid, offbeat approach has attracted 30 million views in just three months. He’s had many viral moments of him either picking up his ex, admitting to awkward details, having passengers flirt with him, or capturing assaults. But underneath the clicks and chaos, his music continues to be at the center of it all.
LuvAndreas owns his chaos. As he builds toward that 2025 release, he’s living it, one song at a time.
Artist Spotlight
Okonski shifts gears with new release “Flying”
Okonski’s new single, “Flying,” the second track in a series of new songs, is a slow, deliberate exhale that shows a small but important change in the trio’s sound. They are now open to working with others while still keeping their introspective core.
Okonski invites Cochemea to join for the first time, making the group larger than its three-piece base. This makes the change from trio to quartet smooth, with Cochemea’s tenor saxophone not just being an extra part but also a living, breathing part of the group’s identity. His lines come and go in the arrangement, never overpowering it, always making it better, like the wind catching a sail at just the right time.
“Flying” fits with the band’s already established thoughtful, meditative mood, giving space to act as its own instrument. Cochemea’s playing in that space feels almost spiritual, gently leading the listener deeper into the piece’s emotional undercurrent.
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Album Review
The Vlade delivers the sound of a quiet survival with “It Could Be Better” (album)
“It Could Be Better” sounds like a late-night confession, honest, very human, and raw. It’s the official release of The Vlade, a 14-song rock album clocking in at over 50 minutes. The band glides effortlessly between slamming rock songs and bare-bones ballads, building a soundscape grounded in emotional honesty.
The title track, “It Could Be Better,” embraces imperfections while remaining steadfast. That thread connects the pointed and emotionally muscular “How Can You Sleep,” which lingers, to a song like “Falling for You,” which goes all in on openness with melodic honesty. “Standing Alone” and “Destiny” challenge you to look at yourself, take moments of solitude, and question things. “Hope” offers a subtle emotional lift without disrupting the album’s feel.
“Don’t Even Try to Live That Way” has a feel that complements the warmth of “My Dear Friend,” a song about loyalty and connection. “So We’ll Go No More a-Roving” and “The Old Man” both reflect on the passage of time and the burden of memory. “I’m Still Here,” a high-quality song about resilience, and “Walk On” maintain that momentum, urging you to keep going.
The alternate version of “Falling for You” casts the song in a new emotional light, while “Van Gogh’s Dream” ends the album on a contemplative, artistic imprint that lingers long. “It Could Be Better” is primarily about periods of loneliness, fleeting warmth, friendship, and small victories that go unseen. It’s an album for people who have felt trapped, made the moves they needed to make anyway, and who still believe in something better.
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