Artist Spotlight
Michellar captures the memories of yearning with “Get me there to Church”
Michellar’s newest single, “Get me there to Church,” is a heartfelt meditation on longing, distance, and spiritual return, the kind of emotional, atmospheric track that is unafraid to evoke desire.
The voice behind Michellar brings an intimate openness to the songwriting. Her lyrics thread themes of searching and surrender, and there’s a quiet desperation that gives the track its weight. You can hear it in the way every note is carefully placed to confess. Produced by Tobias Wilson, “Get me there to Church” is a satisfying track that beautifully captures feelings of longing and the search for spiritual connection.
The song features a blend of warm and melancholic sounds that are both comforting and impactful. The duet between singers Helen Walford and Harrison Black is charming as their voices blend in a way that makes you feel the distance between San Francisco and London. The gentle guitars and spacious arrangements add to a sense of longing that stays with you.
“Get me there to Church” is about finding a place of comfort and safety, whether that’s through faith, love, or just reconnecting with yourself. The song feels grand in its emotion without being overly dramatic, and it is raw yet polished. With this release, Michellar shows that she’s creating her unique path. If this single is a sneak peek into what’s coming next, you will want to pay attention.
For more information about Michellar, please visit [website].
CLICK HERE TO STREAM Michellar’s “Get me there to Church“ on Spotify.
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Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
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Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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