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Michellar channels restless thoughts into “Can’t Get You Out of my Mind”

Michellar

“Can’t Get You Out of my Mind“ is a portal into a restless, psychedelic headspace, where alt rock serves as the base for exploring thoughts that won’t rest. The song is the lead track off Michellar’s upcoming spring 2027 album and lays out an artistic direction characterized by atmosphere, experimentation, and an honest desire to put difficult internal experiences into a musical form.

This song came from the need to give voice to obsessions once kept within, turning tragic and uncontrollable thoughts into a psychedelic soundscape. It’s like the process of making is tied to the song’s emotional tension rather than to something far away. That feeling of connection is the foundation for “Can’t Get You Out of My Mind.“

Michellar’s vocals and demos were recorded in San Francisco before the project moved to Nashville, where the artist worked with producer Michael Beckheart to complete the mixing and mastering. Beckheart’s shared love for psychedelia is a key element in the track’s creative evolution, helping keep Michellar’s vision consistent.

The arrangement changes were part of finding a sound that fit the song’s emotional core. “Can’t Get You Out of my Mind” is an interesting introduction to Michellar’s next chapter, giving a taste of an upcoming album built around psychedelic exploration and personal expression and creative direction. It’s perhaps most notable for its commitment to translating inner thoughts into a developing musical world.

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A seasoned music writer at Honk Magazine, covering new releases and artist spotlights with a focus on blending insight with captivating storytelling, helping readers connect deeply with the music and the artists behind it.

Artist Spotlight

“the wash” by SUUNCAAT turns an ordinary chore into a surreal journey through time

SUUNCAAT

SUUNCAAT’s new single “the wash” dives into new depths of one of life’s most common routines. The track turns the weekly chore of laundry into a surreal setting where time, identity, repetition, and the odd details of daily life start to bleed into each other. It’s a bright, complexly melodic song that makes you return to moments they might otherwise have skipped.

“the wash” is built on the dance of repetition and time. The routine might be the same week after week, but the person living it is constantly changing. That tension gives the single an interesting emotional depth. It’s a familiar act, returning to the same task, and it reminds us that time moves on, even when life can seem as though it has stopped.

The tune is complex enough to support its unconventional point of view musically. “the wash” isn’t simply about washing clothes, but a larger statement about mundane moments signaling a personal shift. The music is full of a sense of discovery that begs listeners to find their own meaning in the repetition.

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Adding a visual layer to SUUNCAAT’s investigation of the ordinary and the uncanny, Tokyo-based photographer Tiana Suzuki created the visuals and music video for the track, with Lew Husbands mastering. SUUNCAAT’s new single shows that even a weekly chore can be a way to learn about ourselves and how fast time goes by.

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Artist Spotlight

“Sing-Along Songs (Album Version)” finds new energy for Arn-Identified Flying Objects and Alien Friends

Arn-Identified Flying Objects and Alien Friends

Arn-Identified Flying Objects And Alien Friends returns to “Sing-Along Songs (Album Version),” with an album version more consistent with the track’s original creative vision. The song came out in 2024 and featured an unusual mix of upbeat music and ironic lyrics that contextualized dark times.

This new version keeps that distinction but makes the arrangement a little spikier, punkier, and more playful. It blends indie pop and pop punk, fusing punk and power pop with a dash of folk rock. The more upbeat music works especially well against the darker outlook at the heart of the writing, creating a tension that keeps the track interesting rather than too serious.

The most obvious change is the intro, which now feels more in line with the original direction the song was meant to take. Co-producer David Myhr’s background vocals add some lift to the second and third choruses. Another key revision is the updated production.

The different parts of the track have more room to play off each other, with a stronger cohesive overall presentation and a more consistent, clear mix from beginning to end. “Sing-Along Songs (Album Version)” feels like a deliberate refinement, and Arn-Identified Flying Objects and Alien Friends take the new version and grind the song’s contrasting moods for a more polished, playful take on an already upbeat tune.

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