Indie

JMT and Daniel Hex shares detroit’s dance DNA with genre-bending anthem “Yes, I Can”

Detroit’s underground is being completely redefined by JMT, who represents tradition and evolution in a single stroke. On his latest single, “Yes, I Can,” a collaboration with Daniel Hex, the genre-blending producer has released a world-reversal of GhettoTech that’s sultry, soulful, and fiercely future-forward.

Taken from his new album GHETTOTECHTROPOLIS, “Yes, I Can” is a chameleon combining the pulse of GhettoTech, the precision of Techno, and the velvet soul of classic R&B. Still, there’s an audacity to this cocktail nonetheless, one that manages to feel both nostalgic and next-gen at the same time.

The story of the song is about as rich as the song itself. Born out of a gloomy afternoon spent at Heaven Studios – founded by none other than Royce Da 5’9 the track started life as a slow burn groove, with Daniel Hex’s sultry, luxuriant delivery existing over an easy-moving 125 BPM. But in post-production, JMT pulled a reverse. He turned up the tempo, let the percussion bang that much harder, and invested the track with a restless energy that one would expect to find only in the dimly lit basement of some smoky party: 3 a.m., if we’re lucky.

What makes “Yes, I Can” so magnetic is its twin natures. It’s a dancefloor fire with a soft heart. Hex’s own vocals dance effortlessly over the beat, providing the track with a human pulse under the hood of the machine’s perfect drive. It’s a deliberate contrast, Detroit’s grit and soul conjoined. Ultimately, “Yes, I Can” is the driving force of the future. On it, they are a fearless, finely calibrated clash of vibes that designates JMT a visionary voice in the city’s next musical chapter.

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Artist Spotlight

Michael Soul hides from being open with new release “Hiding”

Michael Soul’s new single, “Hiding,” is a dark, hypnotic electronic track that takes listeners to a private place in their minds where they are alone, thinking, and feeling upset. “Hiding” was written when the author was very lonely. Michael Soul turns days of being alone, when silence seemed to last forever, and connection seemed impossible, into an immersive sound.

Andrea Mastroiacovo’s polished work makes the single even better, clarifying and deepening the song’s dark mood. The production carefully reflects that emotional weight with simple textures and dark electronic sounds that make you feel like you’re alone with your thoughts.

“Hiding” is a song about feeling alone, scared, and wanting to hide from being open. It asks questions that are quiet but sharp, like why do we hide what we feel? How does fear ruin love? And can we stop going in circles of misunderstanding and emotional distance? These echoes linger long after the track ends, prolonging the sound.

Connect with Michael Soul on Spotify || Instagram || Youtube ||Soundcloud

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Artist Spotlight

Grace Doty lights up the sky with new release “Sunset Colors”

Grace Doty’s newest single, “Sunset Colors,” takes listeners to golden-hour skies and quiet coastal roads from the start. Doty takes the emotional honesty of girl-pop from the late 1990s and early 2000s and gives it a softer, more modern look. “Sunset Colors” starts with a delicate mix of guitar and synth that makes the sound feel both dreamy and new.

“Sunset Colors” is about the feeling of falling in love for the first time, which happens naturally and without any effort, like the colors of a sunset sky slowly blending. Doty’s stories use this simplicity to let the feelings breathe rather than smother them.

“Sunset Colors” was made in her home studio along the Connecticut shoreline, the warm, atmospheric textures make you feel like you’re in the ocean air, and the music has a calm, quiet evening feel.

Connect with Grace Doty on Instagram || Facebook ||Soundcloud