Artist Spotlight
“The Old Songs” by Map of the Woulds reimagine absurdism with the freshness of creative sounds
Seattle-based musical trio, Map of the Woulds, comprising Woody Frank, Andrew Woods, and Adrian Woods, has consistently excelled in redefining the boundaries of rock music through innovation. Their new single, “The Old Songs,” serves as a poignant reminder of how nostalgia can facilitate creative evolution. Formed in 2019, the band exhibits a level of synergy that surpasses the conventional bond among bandmates, resulting in an affluent amalgamation of voices and instruments that resonates more like a dialogue between old friends than a rigid musical formula.
Upon initial exposure, “The Old Songs” may appear deceptively simple, underscored by warm guitar chords and a vocal performance that artfully juxtaposes grit with elegance. The song is mainly driven by Adrian Woods’ nuanced drumming, which establishes a dynamic momentum and serves as the song’s rhythmic backbone. Nevertheless, beneath this approachable façade exists a sophisticated tapestry of humor and introspection that reveals itself upon repeated listening. The track conveys a sense of familiarity without succumbing to monotony, as if the band has rediscovered a cherished vinyl record that had long been forgotten. Lyrically, “The Old Songs” offers astute social commentary on the experience of being a creative person in today’s chaotic world. It acknowledges the endless loop between impulse and contemplation, inspiration and burnout, as well as the tension between ambition and the cacophony of modern life. The lyrics resemble an inside joke, possessing a perceptive edge that resonates powerfully, ensuring a lasting impression on the listener.
Map of the Woulds demonstrates remarkable spaciousness in its arrangement, allowing the composition to unfold at a deliberate pace without overwhelming the individual elements. Frank’s guitar work skillfully oscillates between melodic precision and harmonic exploration, while his vocal delivery immerses listeners in narrative richness. The accompanying harmonies evoke a sense of nostalgia reminiscent of classic rock, artfully avoiding the pitfalls of cliché. Additionally, the song features an engaging groove that introduces a subtle swing, making it equally appropriate for an extended road trip or contemplative nocturnal listening sessions.
“The Old Songs” signifies more than just a critique of creative life; it embodies the band’s mission to render challenging concepts more accessible, while inviting audiences to stop taking it all too seriously. It honors the musical influences that shape their identity, while daring to transform them into something original. Map of the Woulds illustrates that reverence and reinvention can coexist harmoniously within the creative process.
With this release, the band solidifies its position within Seattle’s vibrant and evolving music landscape, establishing a distinctive niche that straddles tradition while confidently navigating new artistic frontiers for the future.
For more information about Map of the Woulds, please visit [website].
CLICK HERE TO STREAM Map of the Woulds’ “The Old Songs” on Spotify.
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Artist Spotlight
Loris Tils brings funk energy to life with “IKKI”
Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.
“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.
The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.
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Artist Spotlight
Glass Mansions turn a possible goodbye into “SUNSETTING”
Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.
The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.
“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.
“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.
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