Mainstage
Ant Thomaz creates when cultures collide and joy leads the Way on “Good Times Roll”
Ant Thomaz starts a bold new chapter with his new single, “Good Times Roll.” It’s a rhythm-based celebration that leads up to his first solo album. The track is a perfect example of community, movement, and global connectivity. It has a sound that is both big and very personal.
The track centers on the concept of a “Scottish Mardi Gras,” exuding vitality from its opening beat. Thomaz assembled a diverse group of musicians and asked each to bring their own cultural background and musical style to the performance. The result is a lively mix of influences that brings together elements of Louisiana Mardi Gras traditions, Bollywood energy, South African beats, and Celtic subtleties into a joyful whole. The track doesn’t sound crowded; instead, it resonates, letting each influence build on the one before it and creating a groove that feels natural and alive.
“Good Times Roll,” which he co-produced with longtime collaborator Chris Gordon, took almost a year to perfect. The track has more than 60 mixes, which shows how much Thomaz cares about making people feel something instead of just making a sound. The result is a composition that exudes warmth, dynamism, and expansiveness, an invitation to commemorate, contemplate, and reestablish connections.
The track’s lyrics explore how to find peace amid chaos and how to navigate life’s ups and downs with clarity and balance. It means new beginnings and personal growth, and it gives people comfort and motivation. “Good Times Roll” is more than just entertainment; it brings people together and shows that when people share happiness, it can be a powerful force.
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Artist Spotlight
“We Keep Walking” by Foxy Leopard explores the quiet forces that lead us toward history
There is something unsettling about being on a journey that does not end when the destination is not assured. That tug is at the heart of Foxy Leopard’s cinematic alt-country sound on “We Keep Walking.” What looks like a simple step forward becomes a meditation on history, community, and the choices people make before they know the consequences.
The concept album Foxy Leopard released earlier tells the story of the last months before the American Civil War through the lives of common people, and the song is a turning point that takes a different turn from a typical historical song. It’s not zooming in on the war itself but on the unseen momentum building around normal families and communities.
Foxy Leopard dishes up alt-country with a cinematic edge, and “We Keep Walking” seems to be a particularly potent example of that style. This song has a forward motion that fits its theme, a driving pulse, and darker implications all the more apparent.
The vocal and production approach serves the storytelling, and there’s a control beneath the energy that makes the track’s space feel reflective, uneasy, and quietly dramatic. Foxy Leopard demonstrates how alt-country can be employed for cinematic storytelling without sacrificing its human scale. If you’re a fan of atmospheric alt-country, storytelling songwriting, and songs that find personal meaning in grand historical moments, there’s a lot to discover on “We Keep Walking.”
Artist Spotlight
George Collins Band turns hope and resilience into “Happiness Looks Good on You”
“Happiness Looks Good on You” is the new single from George Collins Band. It’s a soulful mix of Americana with vintage R&B, gospel warmth, punchy horns, and the undeniable rhythmic spirit of New Orleans. The track has a wonderfully lived-in feel, evoking the musical traditions of The Staple Singers, Dr. John, Allen Toussaint, and The Neville Brothers.
George Collins Band leans into a sound that feels organic, communal, and full of personality. The end result is a rock and Americana release that’s uplifting enough to feel immediate and soulful enough to leave a long-lasting impression. The song is about hope and endurance, and it doesn’t deny the difficulties of life, but it celebrates the brighter moments that make the struggle worthwhile.
Lou Pomanti’s organ, piano, and horn arrangements set a rich musical backdrop for the tune, and the lively brass textures of Tony Carlucci’s trumpet, David Wiffen’s saxophone, and William Carn’s trombone further emphasize its New Orleans influence. They add dynamics and personality to the arrangement without losing the main idea.
As the song nears the end, the gospel choir is especially strong, amplifying the feeling of celebration and turning its hopeful spirit into a communal one. The performance feels made for moments of sharing music that can light up a room, lift a gathering, or just change the mood of an average day. On “Happiness Looks Good on You,” George Collins Band proves that the classics can still sound fresh and relevant. It’s a warm, groove-driven reminder that the best kind of music, sometimes, just gives us a reason to feel good.
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