Artist Spotlight

Giuseppe Cucè breathes where others rush with latest album “21 grammi”

Giuseppe Cucè’s newest work, “21 grammi,” seems revolutionary for being so calm. It’s a single lens on identity, disruption, and renewal. Cucè takes listeners to a place where melody and silence are equally important, and “21 grammi” is the soul’s fragile, intangible essence. The album features a range of styles, including introspective alternative singer-songwriter and cinematic pop. This music comes from the Mediterranean. The sound space is both bright and dark, with warm chord progressions, orchestral crescendos, and ballads with a Latin influence. The strings make things tense, the piano melodies are planned and controlled, and the occasional use of the Hammond organ gives the songs a gospel-like feel.

There aren’t many electronic parts in the production, which makes the warmth of analog sound and the flaws of people stand out. “La mia dea” and “Una notte infinita” are two songs that build like scenes from a movie, with a slow, atmospheric, and emotionally demanding pace. Cucè’s singing is very personal and honest. Instead of being flashy, it focuses on being subtle. He doesn’t shout to get attention, he talks to the other person and expects them to understand.

What sets “21 grammi” apart is its dedication to the album format. In a world where singles are the main focus, Cucè has made a story structure that keeps you interested from start to finish. Separation, truth, and change are not separate feelings, they are all parts of the same story. The record doesn’t try to make the idea of algorithmic immediacy work, it seeks to sustain resonance over time. Hooks don’t blow up, they stay the same.

There is also a quiet way to be defiant. Cucè stands out from the overly polished sound of modern pop music by using orchestral arrangements and real instruments. The result is both real and like a movie, poetic and easy to understand. The album looks less like a product and more like a passage, or a record of change. In the end, you don’t need to worry about “21 grammi.” It gets it slowly, through writing that is complicated and honest about feelings. Cucè has done something very rare, people judge his work by what it means, not how long it is.

Connect with Giuseppe Cucè on Spotify || Facebook || Instagram

Tweet LinkedIn PinShares0

Artist Spotlight

Seigetrops spreads warmth and joy in new single “Pleasure”

Seigetrops’ latest release, “Pleasure,” from Dutch reggae-pop artist, makes you feel good inside. From the first note, the track has an air of happiness that isn’t forced. The calm beat and melodic singing make people want to stop and enjoy the music.

“Pleasure” features bright guitar sounds and a bassline that rises and falls. It has the lighthearted sound of reggae-pop but also a surprising amount of emotion. The chorus sticks with you long after the song is over. It’s a warm, memorable sound that makes you feel good and is also very heartfelt. The melodies are laid-back, but a strong desire for connection and lasting love makes the piece more than just feel-good feelings.

Seigetrops’ music shows how his art is growing. It’s smooth, melodic, and real, but it also has a strong reggae-influenced pop beat that makes it easy to dance to. The track’s catchy hook fits perfectly with playlists for chill pop, summer vibes, and uplifting music, so you can’t stop listening.

In the end, “Pleasure” shows how Seigetrops can capture the simple, universal joys of life, those brief times when everything goes right. It is a track that makes you feel good, comes from a real place, and leaves you with a smile that lasts. “Pleasure” is a track that reminds people that happiness can be as simple as a melody that sticks with you long after it’s over.

Connect with Seigetrops on Spotify || Instagram || Facebook || Youtube

Tweet LinkedIn PinShares0

Artist Spotlight

Stefan Schulzki shares heartfelt new single “The Song We Never Played”

Stefan Schulzki, a German composer, producer, and performer known for his unique musical style, has released his latest single, “The Song We Never Played.” An indie-pop track about the bittersweet endings of love, the song quickly takes listeners deep into its emotional sound space.

The track, with Caro Stechl’s emotional lead vocals, perfectly captures the pain of a relationship that has ended. Schulzki’s arrangements are warm and deep at the same time. They use live strings from the Augsburg Philharmonic, subtle rhythms, and natural instruments to create a sense of closeness and space. Theresa Sittenauer and Vanessa Spanier sing background vocals that add depth to the song. The rhythm section, featuring Silvan Lackerschmid on guitar, Florian Hartz on bass, and Robin Tóth on drums, gives the song a soulful, cinematic pulse.

Schulzki’s style sees pop music as a means of storytelling, combining classical writing techniques with funk and soul elements. Schulzki plays the keys and synthesizers, which add harmonic depth. René Jesser’s mixing and Ludwig Maier Mastering S.L.’s mastering make the track sound great. The cover art, which Schulzki made with Midjourney and Vita Kond improved, conveys the song’s sadness and introspection.