Teanko’s rock song “Between Two Selves” sees retirement as an opportunity to reconsider what comes next rather than as an ending, and it carries a quiet sense of release. This track is based on the theme of moving from a busy working life to a more relaxed one. It’s about the emotional gap between the person defined by constant activity and the person now free to decide how to spend their time.

The song’s artistic direction is grounded in reflection, without falling into recollections. Looking again at old photos, we know the past through memories and music but remain open to the present. The balance is a gateway into the emotional heart of “Between Two Selves,” recognizing where Teanko has come from and welcoming the freedom of not having to chase the next opportunity.

The music of the song also helps support that personal perspective as a rock release, with its core mood shaped by calm, acceptance, and thoughtful self-examination. Retiring from working life provides an opportunity to escape pressure and to find a more personal level of creativity.

In “Between Two Selves,” music-making is meaningful because it is fun and adds a pleasing sense of independence to the release. With “Between Two Selves,” Teanko makes a major life change an honest artistic statement. It suggests you can make a new beginning through choice, curiosity, and the sheer joy of making without having to prove anything to anyone else.

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NO IDENTITY adopts an industrial DIY approach with “Almost Nothing,” making it loud, chaotic, and impossible to ignore on purpose. NO IDENTITY is a solo artist who wrote, recorded, mixed, mastered, and did the music video, which gives the project a strong sense of personal control.

“Almost Nothing” leans into EDM and electronic textures but also pushes out to a stranger, harder edge. One of its more curious aspects is a simple clapping sound effect that is heavily processed into a bizarre, bass-like texture. The resulting sound is described as an electric bass in a septic tank, an image for the track’s deliberately unconventional design.

That strategy is also closely related to the emotional motivation behind the release. “Almost Nothing” and the album it’s from are born of mental illness and relationship anxiety. Those themes add context to the track’s chaotic presentation, implying that the odd sound and frenetic energy stem from the artist’s motivation to communicate something difficult in a simple, unfiltered way.

The accompanying music video is loud and strange, unlike anything else, just as the track doesn’t present itself conventionally. NO IDENTITY considers the visual identity and the music as part of a single creative statement. “Almost Nothing” finally separates itself by being completely devoted to its own design. NO IDENTITY’s openness to taking on all parts of the project makes this release a complete artistic experiment in its own right.

Photo Credit: Ava trying to frame the music video like a dork

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