Music
The Grammys’ New Best Progressive R&B Album Category Is Here, And It’s Awesome
Getty Image / Uproxx Studios The new category revamps the Academy’s previous attempts at honoring hip-hop-influenced R&B. …

The Grammys have a new category this year. In an effort to better recognize the increasing breadth and variety of modern R&B, they’ve split the R&B Album category into two: Best Progressive R&B and Best R&B. The new range allows them to nominate more artists — five each — and give the nod to non-traditional contemporary R&B artists who aren’t forced to compete with genre mainstays like Alicia Keys and John Legend.
Although the Grammys have tried similar moves in the past, this year’s move is timely, as the style of some R&B has been reshaped by contributions from alt-rock, ambient music, hip-hop, EDM, trap, and other styles to make it something far more futuristic but still rooted in the tenets of the sound established in the late ’80s and early ’90s. From 2003 to 2011, more hip-hop-influenced albums could be found under Best Contemporary R&B Album, but they were shifted back to the main category after 2011. The new category was created as Best Urban Contemporary Album, but that name was phased out as a result of longstanding criticisms and the industry-wide revamping of “Urban” classifications after this summer’s “Blackout Tuesday.”
According to the Recording Academy, the new category “is intended to highlight albums that include the more progressive elements of R&B and may include samples and elements of hip-hop, rap, dance, and electronic music. It may also incorporate production elements found in pop, euro-pop, country, rock, folk, and alternative.” For its inaugural clutch of nominees, the Academy has acknowledged Chloe X Halle, Jhené Aiko, Free Nationals, Robert Glasper, and Thundercat. The traditional category includes Ant Clemons, Giveon, Gregory Porter, John Legend, and Luke James.
Speaking of Robert Glasper, the accomplished pianist/producer is planning his eighth annual Grammy Jam to coincide with 2021 Grammy Awards, gathering together some of the biggest names in R&B, jazz, and hip-hop for a special night of music. Check out the video from the 2020 edition above.
Artist Spotlight
MTS Management Group artists celebrates friendship with new release “A Song for My Friends”
MTS Management Group artists’ latest release, “A Song for My Friends,” is a happy, upbeat song that captures the magic of being together, celebrating, and remembering. The track has a contagious energy that is like the spirit of late-night jam sessions and sing-alongs that happen out of the blue. The production is clean and smooth, but also laid-back.
The tune of “A Song for My Friends” is a toast, and it’s clear what the band wants. A party for the people who have been there since the beginning, the fans who keep coming back, and the nights that artists will never forget that remind them why they fell in love with music in the first place.
“A Song for My Friends” stands out in a world full of overproduced singles because it has heart, energy, and honesty. It’s a moment we shared that I put in a bottle and sent to you with a chorus that you’ll be singing long after the music stops.
Connect with MTS Management Group artists on Instagram || Facebook || Twitter
Artist Spotlight
Michael Soul hides from being open with new release “Hiding”
Michael Soul’s new single, “Hiding,” is a dark, hypnotic electronic track that takes listeners to a private place in their minds where they are alone, thinking, and feeling upset. “Hiding” was written when the author was very lonely. Michael Soul turns days of being alone, when silence seemed to last forever, and connection seemed impossible, into an immersive sound.
Andrea Mastroiacovo’s polished work makes the single even better, clarifying and deepening the song’s dark mood. The production carefully reflects that emotional weight with simple textures and dark electronic sounds that make you feel like you’re alone with your thoughts.
“Hiding” is a song about feeling alone, scared, and wanting to hide from being open. It asks questions that are quiet but sharp, like why do we hide what we feel? How does fear ruin love? And can we stop going in circles of misunderstanding and emotional distance? These echoes linger long after the track ends, prolonging the sound.
Connect with Michael Soul on Spotify || Instagram || Youtube ||Soundcloud
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