Music
Nascar Aloe’s ‘I Throw A Fit’ Performance For ‘UPROXX Sessions’ Lives Up To The Title
The North Carolina punk rapper doesn’t stand still for an instant. …
North Carolina punk rapper Nascar Aloe brings unstoppable energy to UPROXX Sessions in this week’s episode as he rips through an twitchy performance of “I Throw A Fit.” The song’s title is apt; Aloe never stands still for a moment. His infectious aura vibrates off the walls as he calls out Donald Trump, police, and politicians in railing screed against the hypocrisy of the “land of the free.”
Calling himself “the new Sid Vicious,” Nascar Aloe experimented with different styles and stage names until settling on his current in-your-face punk persona. He’s proven prolific, dopping projects at an alarming clip that fits his DIY, anything-goes mentality. Most recently, he dropped the three-song Battery Clash! EGO Bite, which contained the songs “Hi,” “Abyss,” and “Dysfunctional.” Earlier this year, he also released The Garage Tapes featuring Ghoulavelli and Miyagi. Though he’s not highly active on social media, he has used it to call out disparities and oddities of the modern music scene. He’s part of an anti-establishment wave of young, punkish rappers that includes characters like Jasiah, Joey Trap, and Tokyo’s Revenge.
it’s 2020 grown men doing high school music video treatments weird to me
— NASCAR ALOE (@nascaraloe) November 23, 2020
Check out his raucous performance above.
UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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