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After Calling The Grammys ‘Corrupt,’ The Weeknd Says He Was ‘Not Invited’ To The Ceremony

Getty Image The rapper had reportedly planned to perform but did not receive a single nomination. …

The Recording Academy unveiled its full list of Grammy nominations Tuesday. While many artists like Beyonce and Taylor Swift got the recognition they deserved, some big stars like The Weeknd did not. Despite breaking numerous chart records for his album After Hours, the singer did not receive a single Grammy nomination for his record — and he is understandably frustrated.

The Weeknd addressed the snub in the hours that followed the Grammy nominations list. Taking to Twitter to air his grievances, The Weeknd wrote that the Grammys were “corrupt” and called for better transparency in the selection process from the Recording Academy. Now doubling-down on his statement, The Weeknd has further responded to the situation. The singer said that, in his eyes, not receiving a Grammy nomination means he was “not invited” to attend the ceremony.

The Weeknd had apparently been in talks to perform during the 2021 ceremony, but the Recording Academy was wary when it was revealed he was also playing the Super Bowl halftime show. The Recording Academy allegedly agreed to let The Weeknd perform following a heated conversation and an ultimatum, then reportedly decided to snub him of nominations in retaliation for the situation.

Read The Weeknd’s pointed response above.

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Artist Spotlight

E.G. Phillips explores cosmic escape with “Please Don’t Make Me Come Back from the Moon”

E.G. Phillips

E.G. Phillips’ new release, “Please Don’t Make Me Come Back from the Moon,” is a track that drifts effortlessly between genres and atmospheres. “Please Don’t Make Me Come Back from the Moon” is an experience that feels suspended in time and space.

Blending alt-folk with jazz-fusion touches, the track creates a dreamy and unpredictable wave of radio-static textures that ripple beneath the verses, giving the impression of floating through an unfamiliar yet comforting universe. There’s a sense of detachment here, as if reality has been left behind entirely.

Just as listeners settle into its hazy rhythm, the bridge shifts gears into a jazz-rock groove, complete with trumpet lines that subtly nod to a fusion-inspired legacy. This transition feels organic, enhancing the track’s exploratory nature rather than disrupting it. “Please Don’t Make Me Come Back from the Moon” is a beautifully strange offering that invites listeners to step outside themselves and embrace the unknown, even if only for a few minutes.

Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

Captain Iron and the Windrift Band put on a sci-fi pop show with new release “Ultra Sound”

Captain Iron / Windrift Band

Captain Iron / Windrift Band opens a vivid portal with “Ultra Sound,” a bold, creative dance-pop song that fully embraces cinematic storytelling. From the outset, the track establishes itself as more than just a catchy club-ready anthem, it’s a narrative-driven experience wrapped in glossy, futuristic production.

“Ultra Sound” is a great track because of its unique idea, a sexy fembot synth lures astronauts into a trap, then uses an ultrasonic tractor beam to steal their ship. It’s fun, a little strange, and very different from what you usually hear in pop music. This lets Captain Iron show off his unique lyrical style. The story feels like it’s moving forward with each beat, like it’s a movie.

It’s easy to see how “Ultra Sound” could grow even further with full-scale production or collaboration, since its foundation already offers plenty of possibilities. Captain Iron / Windrift Band gives us a song that is both fun and smart. “Ultra Sound” doesn’t just want people to dance, it wants to take them to a colorful, imaginative world where stories and sounds come together thrillingly.

Connect with Captain Iron / Windrift Band on Spotify || Twitter || Youtube

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